Tag Archives: 1:18 scale

Die-cast: Auto World’s 1947 Cadillac Series 62 Convertible

A stylish 1:18 scale Series 62 with opening hood, trunk, doors …

Cadillac was near the top of the U.S. automotive world as far as a reputation for luxury coupled with performance prior to World War II.  Oh sure, there was Packard too, but the Series 62 Caddy was king of the heap.

And of course that meant a lead sled as these were all steel and assorted metal compounds at the time, with engine blocks that were so heavy they could have been battleship anchors.

But still there was style, and chrome was a big part of that. Auto World is practiced at the art of creating 1950s to 1970s muscle cars with all their chrome grilles and bumpers, but it had to turn it up a notch for this new 1947 Cadillac Series 62 Convertible. To use phrasing of the time you bought one to grandstand that you’ve got a lot of lettuce!

The History

Cadillac launched the Series 62 in 1940 as an entry-level Caddy, but production ended in 1942 as auto factories turned their efforts to war machines. In fact, by 1947, just after the war as Cadillac was converting back to car production, the automaker was only making 12 models in four different Series, roughly a quarter of the models it had made pre-war.

It shouldn’t be a surprise that the Series 62 was most popular as it had been fairly new when the war began and was entry-level for Caddy. The Series 62 reportedly made up 84% of Caddy’s sales in 1947 and Cadillac reported it had a 100,000 backlog of orders.

Series 62 models included a hardtop, convertible and 4-door sedan. More than 55,600 were sold, a record at the time. In 1947 a Series 62 4-door sedan went for $2,553, up from $2,359 in 1946. With strong demand came higher prices. Likewise today a ’47 convertible is coveted among collectors and can go for north of $100,000 depending on its restoration level.

AW models the 1947 Caddy with its Monobloc flathead 5.7-liter V8, which made 150 horsepower. The chrome fender guards and 5-bar grille were new styling cues for 1947 as GM tried to freshen its lineup that essentially reflected 1942 styling. Oh, and the hub caps were known as Sombrero wheel covers. Ah, marketing!

For the record, the third generation Series 62, like the second-gen model, was designed by GM’s now famous Harley Earl. It went into production as a 1949 model and featured GM’s new overhead-valve V8. The engine was a big deal at the time as it replaced the lower powered, heavier model. The new 5.4-liter V8 delivered 10 more horses at 160, yet weighed 200 lbs. less than the 1948 model. The 1949 model was Motor Trend’s first Car of the Year.

The Model

               Convertible die-cast cars are fun because they let you see the car’s full interior, plus they just look a little sleeker.

               AW delivers this one in Madeira Maroon, a dark maroon with creamy white convertible tonneau cover and interior door panels. While the Caddy looks like a beast with its egg-crate grille and chrome bullet-shaped bumper guards front and rear, the color makes it seem as elegant as it was at the time. Note though that the paint job easily shows fingerprints, so if you’re handling it gloves are a wise idea.

Enough chrome here for ya? Plus a big V8 under the massive hood.

               Chrome here, as it was in 1947, is nearly overpowering, but certainly adds a high bling level to the Series 62. The nose and tail are dripping with it via those bumpers, the grille, Caddy insignias and hood ornament. Plus this model includes a bold chrome trim line from the front wheel to mid-door at the end of the bulging fenders that wrap into the doors. Likewise there are chrome stone guards and trim on the rear fenders from in front of the rear wheel to just behind it.

               Clear textured headlights feature chrome bezels and the rear lights are a threesome on a vertical chrome bar. Wipers, windshield and door trim, a big extended side mirror and stubby antenna on the driver’s side fender also are chrome, as are the door handles and trunk release.

               For realism note that the hood, trunk and doors all open and the front wheels are poseable.

               Under that massive hood is the aqua block of GM’s 5.7-liter V8 at the time, plus wiring and other detailing, although to be honest the car looks more interesting with the hood lowered, likewise the trunk.

               Inside the seats are a matte red and include built-in armrests in back and chrome window cranks and door release levers up front on the doors. The dash is a busy place with massive grille work at its center, a row of buttons along the top, plus a speedometer and analog clock (no digital in 1947!). A few other gauges are easily seen along with controls under the passenger-side dash.

Details galore in the interior, from the window cranks to the gauges.

               The Series 62’s steering wheel matches that creamy interior trim, but with a three-spoke chrome hub and horn ring. Over the windshield is a built-in roof support and the chrome rearview mirror.

               Know too there is a detailed undercarriage with single exhaust system and solid axle rear suspension. If you pose this on a base with mirrored bottom a viewer can see some of that. Wheels also highlight those big Sombrero wheel covers and wide white-sidewall tires.

               I prefer 1950s through 1970s cars myself, but this is an elegant look back at post-war heavy metal and will accurately reflect those times in your collection, plus highlight the big jump forward in styling that the 1950s cars represent.  

Vital Stats: 1947 Cadillac Series 62 Convertible

Another look under the hood.

Maker: Auto World
Scale: 1/18
Stock No.: AW273
MSRP: $123.99

Link: Autoworldstore.com

DIe-Cast: 1987 Audi Sport quattro S1 Rally Racer

Autoart’s Pikes Peak racer a mountaintop experience …

Imagine, if you can, driving up a winding 12.42-mile long mountain road, mostly gravel and dirt with no guardrails and sheer drops sometimes thousands of feet straight down to certain death, should you slip over the edge.

Then imagine doing it for time and with a 600 horsepower rally car capable of more than 120 mph in a burst.

That’s what German rally ace Walter Röhrl faced in his one and only attempt at racing in the Pikes Peak Hill Climb in 1987 aboard an Audi Sport quattro S1. He won, and set a new record.

Now Autoart brings us a stunning 1:18 scale replica of that iconic Audi.

The History

Audi won the Pikes Peak International Hill Climb three straight years, 1985 to 1987, with three different drivers, Michele Mouton (first woman winner), Bobby Unser (all-time champ) and Walter Röhrl (2-time world rally champ). By 1986 Audi had won several world rally championships with its all-wheel-drive quattro (always lowercase) models so pulled out of the competition for Group B racers.

So the hill climb was Audi’s last hurrah with the Audi Sport Quattro S1 rocketing up Pikes Peak in Colorado, climbing 4,720 feet through those 156 corners with its 2.1-liter five-cylinder engine pounding out about 600 horses. Of course power drops at elevation, so the Audi “only” had 450 horses available as it neared the top on July 11, 1987. However, a special circulating air system helped boost the Audi’s air pressure for its giant turbocharger to improve its response in the thin mountain air.

Röhrl had been the world rally champ in 1980 and 1982 and he used all his skills to break Bobby Unser’s year-old record by 22 seconds, with a run of 10 minutes 47.85 seconds. The record now is 7:57 minutes, set in a VW ID R by Romain Dumas in 2018.

Röhrl’s comments well after the event? “All I can say is that it was great to take part. It was crazy, but often it is in fact the crazy things which are the best in life. It was the very pinnacle of what can be done with a rally car.”

The Model

This beautiful white wing-laden rally car model by Autoart is a near pinnacle exercise in fine detail, much as was the original. There’s a giant two-tier wing on the tail and another mounted on the massive chin spoiler at its nose.

Beyond the wings is the silky paint job with traditional Audi rust red, brown and black trim down the sides and up to the rear wing’s tip, plus same color racing stripes from hood to tail only broken by the insertion of a giant black No. 1.

There are eight fine white mesh screens in the hood, which features a brown and white Audi logo at its center and two molded-in hood pins at the front corners. The clear headlights feature Bosch logos spread across their faces and that chin spoiler has massive Michelin logos on either side of the racing stripes. The grille is flat black plastic with the four white Audi rings at its center.

Plenty of hood screens, side downforce tunnels and spoilers, plus the chin spoiler.

Under the hood is a well-detailed engine with a monster air intake tube leading to the turbo on the 5-cylinder power plant that lays sideways in the engine bay. There’s wiring and plumbing plus faux sheet metal plating to cover and protect the left side of the compartment. A thick white support bar extends from shock tower to shock tower. The hood is easy to raise and pose open as its white hinges are well-made to reflect the originals.

Sharp under hood detail here on the Audi turbo.

Down the car’s sides are flared fenders with aero tunnels atop the front wheel wells and skirting that includes air deflectors in front of those wheels. A flat rocker panel rests below both opening doors with “quattro” printed in black. The driver’s door includes a vented streamlined mirror and there’s a notch in each door that makes them easy to open for display.

The rear side window is trimmed in black and the flared fenders in back include black plastic screening that would allow air into the wheel wells for brake cooling as the Audi charged up Pikes Peak.

Big decals on each door include a red/white/blue and black Pikes Peak Auto Hill Climb logo, the No. 1, an Audi logo and Röhrl’s name, which also is painted in script above the door with a small German flag representing his homeland.

The roof is sculpted with a giant air tunnel leading to the rear hatch, which includes hinges on top attaching to the blackened rear window, just in front of that oversized two-tier spoiler.

Here’s the winged tail without the trunk cover. Twin fans and fuel filler are inside.

A rear-end cover is removable to show the gas filler and twin fans for additional cooling. Tiny rear lights have black mesh screens over them and the Audi includes white mesh screening under the trunk opening, and a white metal protective shield below that.

Here the trunk cover is in place under the twin wings.

One disappointment, albeit minor, is the treaded tires are not branded Michelin, as were on the original racer. These are generic with white racing wheels that look a bit too much like plastic, although they do include five silver wheel nuts at their core. Plus there are giant disc brakes behind all four wheels.

Inside the car is Spartan, but racy. There’s a black racing seat with Recaro proudly displayed in white on the headrest, and highly detailed red cloth seat harnesses. Of course the Audi is full of white cabin supports to protect the driver should this rally racer roll onto its roof.

Sharp Recaro seat and red cloth seatbelts inside.

A black bare-bones dash, basically a panel for readouts, backs up the four-spoke steering wheel and the panel extends down to the transmission hump in the center and includes a few buttons and switches. There’s a white fire extinguisher on the floor just to the right of a serious looking black-knobbed gear shift lever, plus a couple of silver pipes with periodic black wrapping extend from under the dash along the passenger’s side compartment out the back to the trunk area where those fans are located. Outside the passenger’s door and below the flat rocker panel are three exhaust openings too.

Overall another stellar effort from Autoart as it continues to crank out historically meaningful racers along with its long list of exotics of every ilk and color.  

Vital Stats: Audi Sport Quattro S1 (Pikes Peak, 1987)

Maker: Autoart
Scale: 1/18
Stock No.: 88700

MSRP: $265

Link: Autoartmodels.com

Die-cast: Autoart’s 2016-’17 Lamborghini CEntenario Roadster

Here’s how you can afford a $2 million Lambo Roadster …

Not a Lamborghini tractor!

Did you know Lamborghini makes tractors?

Maybe not, unless your gentleman farmer acreage is considerable and located in Europe. I’ll bet you’re more familiar with Lambo’s supercars, like the sumptuous Centenario Roadster, of which just 20 were made and nine sold to rich dudes in the U.S. That is, until Autoart started cranking out spectacular 1:18 scale versions.

I snagged a new metallic red version for review, thanks to Autoart, and like the rest of its Lamborghini lineup, the roadster is gorgeous. This roofless wonder looks faster than an Olympic swimmer or runner in a skin-tight suit. That’s because these composite body models from Autoart are made with the precision of a new laptop’s speediest chip.

First a little history.

Visually it doesn’t get any sleeker than the Lamborghini Centenario Roadster!

The History

Highly limited edition Centenario models were created to honor the 100th birthday of Ferruccio Lamborghini, the firm’s founder, in 2016. All 20 Centenario Roadsters feature a full carbon fiber monocoque chassis and a monster V12 engine. That 6.5-liter V12 pumps out an amazing 770 horses without the need of a turbo. Wow!

Lambo says that will bump the AWD supercar to 186 mph in roughly 23.5 seconds, or 0-62 mph in 2.9 seconds. Short version, it’s quick, like a lightning strike. Officially Lamborghini lists the Centenario’s top speed at 217 mph, if you totally wind out the engine, and we all know we’d try.

OK, this is only 1:18 scale, but it’s still a monster V12!

That’s fast enough, to be sure, plus there’s a rear-wheel steering system, the first in a Lambo, to help it handle any curves thrown its way when ripping along at 200+ mph. Yet the system also helps the car move more gracefully at slow speeds too.

Lambo assures us that all the interiors are individualized (and rightly so) at its factory in Sant’Agata, Bolognese, Italy. Inside there is a large infotainment screen as in all luxury makes these days, plus the seats are either leather (from virgin cows?) or Alcantara and real carbon fiber is used as trim. And not to put too fine a point on it, but if you want to drive one, the closest you’ll likely get is a session on the Forza video game.

A gorgeous face and spectacular interior make the Lambo a collector’s show piece!

For the record, the Centenario models are based on Lambo’s Aventador model and was made only during 2016 and 2017, so pre-pandemic. That short run and low production numbers add to its rarity, and naturally call for a price to match. A new one ran $1.9 million and now they are selling at auction in the $2 million to $2.5 million range.

Not a bad looker from the backside either.

That makes Autoart’s $240 seem so much easier on the Swiss bank account, or more likely the Visa bill or Paypal account.

The Model

Where to start?

The body is sublime and the color, officially Rosso Efesto, a deep metallic red, simply is a show stopper. The scissor doors are released by, get this, the actual door handles. Push and hold them in and the doors, with windows up, flip forward to further expose the racy red and white bucket race-inspired seats featuring Lambo logos on each headrest.

Scissor doors open via a push on the door handle, plus the hood opens too.

All window trim is black with carbon-fiber-look headrest hoop covers and what would be B-pillar supports if there were a roof. Side fascia, rear diffuser and the chin spoiler also are carbon fiber lookalikes.

While the needle-sharp nose is sexy with its thin L-shaped headlights and the Lambo logo, it’s the tail that draws me in. So much going on here.

A lot going on at the rear, from big light bars to snazzy diffuser and a trio of exhausts.

There are the clear-bar exposed taillights and then tiny red brake lights below, between the six red-edged diffuser fins that otherwise appear as carbon fiber. Behind those, tucked under the body’s tail with deployable rear wing are big silver radiators. Then down low between the two innermost diffuser fins are three silver exhaust outlets. And in case you’ve forgotten the car’s name, Centenario Roadster is spelled out between the Lamborghini-labeled flap that separates the light bars.

Now that you’re at the tail take a good look at that throbbing V12 once you lift the separate engine cover, which includes clear plastic panels trimmed in more carbon fiber.

The engine cover pops off easily to expose the naturally aspirated V12.

There’s a V12 Lambo logo atop the engine block and Lamborghini-labeled header covers, various liquid fill containers and silver and black caps, hoses, carbon fiber-look crisscross struts and giant horizontal shocks and springs.

Inside is a beautiful red interior with a white v-shaped pattern on the seats, a steerable flat-bottom steering wheel with red 12 o-clock stripe and Lambo logo on the hub. That big info screen looks shiny and realistic while the console it blends into features oodles of buttons. Autoart creates a sharp black instrument panel pod too and the door panels are exquisitely detailed, including a white loop on each door to help pull the doors down and latched. Inside tops of door panels also appear to be carbon fiber. Snazzy!

Cool interior? Yes it is. Check out the seats and those white loops to pull down the doors.
Here’s an even closer look at the dash and other interior features.

Tucked neatly behind the fancy 5-spoke silver and carbon-fiber wheels are monster drilled disc brakes with red Lamborghini calipers. Tires are treaded low-pro Pirelli P Zeros with red stripes to wrap up the car’s stylish looks.

Awesome silver and carbon fiber-look wheels, red-striped P Zero tires and red calipers!

We’d all like to drive one of these, even if owning one is out of the question. But now Autoart helps solve the second part of that equation. Plus it offers the Roadster in blue, silver, green and yellow, along with this stunning red.

Vital Stats: Lamborghini Centenario Roadster

The hood opens to expose nose detail too.

Maker: Autoart
Scale: 1/18
Stock No.: 79207 (Rosso Efesto/metallic red)
MSRP: $240

Recommended Sellers: Autoartmodels.comReplicarz.com

Die-Cast: Autoart’s 2018 Dodge Challenger SRT HellCat widebody

In any scale a Hellcat Widebody bulges with muscles …

As retro racy as Dodge’s Challenger has been in its latest iteration, the Widebody version is the most muscular looking and the Hellcat flexes the greatest amount of muscle under the hood.

Sinamon Stick or Destroyer Gray? I gotta go with the brighter Hellcat!

Combine the two, as Autoart has on four new models, and the Challenger SRT Hellcat Widebody oozes with muscle car goodness that could easily be the star of any 1/18 scale collection, depending on color. I say that because three of these are bright and fun, the other a low-key Destroyer Gray.

I scored, receiving both the bad boy gray one, and the stunning Sinamon Stick, a metallic copper, for review. Both feature dual Gunmetal Gray center stripes and black chin and trunk spoilers. Awesome!

The History

I test drove a Hellcat at Wisconsin’s Road America a couple years ago, both in Challenger and Charger iterations and you can believe that their 717-horsepower 6.2-liter supercharged Hemi V8s can push these rear-drive muscle cars to 130 mph, and more, in short order, sounding great all the while.

A Hellcat Widebody makes another 10 horsepower as it adds an additional hood air intake and if you were to “need” more power, there’s an SRT Hellcat Redeye with a blood-vessel bursting 797 horses capable of hitting 203 mph with a 0-to-60 mph run in 3.4 seconds. Take that Ferrari!

See Mark’s review and video of the 1:1 Challenger Scat Pack Widebody: 2020 Dodge Challenger R/T Scat Pack Widebody | Savage On Wheels

Putting that power down requires massive 20-inch tires and, naturally, superior braking power via giant discs to whoa a Hellcat. All that is detailed here on the 1:18 scale model.

The gray Hellcat feature red Brembo calipers and check out that Hellcat logo on the fender too!

Price on the real deal is high, but not as high as the supercars, say Lamborghini, Bugatti and Ferrari. A Hellcat Widebody starts at $73,240 and the Redeye at $75,000, but then you’d be ready for competition while also being street legal. Oh, and now there’s an SRT Hellcat Redeye Widebody that trips the cash register at $80,765 and a Super Stock model at nearly $83 grand, uh, but it also makes 807 hp. Autoart’s versions are much more affordable at $230, and visually they’re nearly as thrilling.

The Model

               I’ll chat up the Sinamon Stick version as that’s my favorite visually and I could find only one eyeball-catching difference between it and its gray muscle beast buddy. The gray model features red Brembo brake calipers as opposed to black on the Sinamon version.

               First, nose to tail the lines are crisp and dead-on 1:18 replicas of the street machines. The hood is beautifully shaped with the center air scoop featuring black mesh grillwork and the hood’s two side air vents also feature black grilles. Mesh grillwork fills all the nose’s split grille openings too and the quad headlights are beautifully reproduced, including the inner running lights with their outer light ring.

               Widebody fender flares look spectacular and the front ones include slightly curved side marker lenses that fit neatly into those flares. Awesome etched metal Hellcat logos accent each front fender and there are SRT markings on the black gas cap and four black Devin’s Rim wheels that grace all Widebody models.

Everything opens on Autoart’s Challenger Hellcat.

               In back the wide flat slit taillights look realistic, the black surround setting off those lights and the black spoiler looks great too. The trunk will open via handsome struts and there’s black flocking finishing off the trunk’s interior. Dual chrome-tipped exhausts are flush with the black lower bumper and Dodge is spelled out with photo-etched letters on the black trunk face. A Dodge license also hangs on the back.

Here’s a close-up look at the under-hood detailing on the giant supercharged HEMI.

               Under the opening hood, which features both scissor hinges and struts to hold it in place, is that massive V8, and yes, it says HEMI on it. A bit of wiring and plumbing is visible, but the engine and supercharger and hoses, plus cooling and liquids containers make for a tight engine bay. Detailing is strong, and impressive if you like to pose your models with the hood up.

               All windows are trimmed in black and there are big black wipers for the windshield and a shark fin antenna atop the roof. Side mirrors included true mirrored surfaces and are body colored. The flush door handles look great too, but make opening the doors a bit of an effort.

Sharp detailing on the Hellcat interior here, particularly the stack and gauges.

               Seeing inside is worth the effort though. Seating is Gunmetal gray with well-shaped racy looking buckets up front and door panels are handsomely crafted, including power window buttons and such on the armrests.

               There’s a T-handled shifter on the wide silver-topped console with two cup holders and buttons at the console’s front edge. Dash screens and air vents are well shaped and look realistic with glossy gauge faces and the steering wheel is nicely detailed with silver lower spokes and flat-edged bottom.

               I know many of us don’t display such gorgeous models with doors open, but if you allow visitors to look inside your models they’ll be impressed with this one.

               Tires are thick beautifully treaded numbers with Pirelli PZero labeling in flat black so they don’t scream for attention. They wrap neatly around the gloss black Devil’s Rim wheels and the Brembo calipers are easily spied in front of the massive front and rear discs. Front wheels also are poseable.

               If neither of these colors would lay rubber in your driveway, the Widebody also is available in Yellow Jacket with a satin black hood or Octane Red (looks deep purple) with no stripes and selling for $20 less, so it’s the bargain buy of the foursome.

               I’m all in for Sinamon Stick!

Want more realism? You’ll need to buy a 1:1 Hellcat.

Vital Stats: Dodge Challenger SRT Hellcat Widebody (2)

Maker: Autoart
Scale: 1/18
Stock No.: 71736 (Sinamon Stick) and 71738 (Destroyer Gray)
MSRP: $230 each

Link: Autoartmodels.com

See more detail photos below.

Sharp lights, black mesh grille and a fine SRT and Hellcat logo up front too.
Rear window defroster looks good as does that shark fin antenna atop the Challenger!
Fine-looking hood air scoops and vents with black mesh grillwork make for a great hood!

Die-Cast Autoart Pagani Huayra Roadster

Rockin’ Huayra Roadster is packed with detail …

Think of an Italian supercar and likely you’ll conjure up images of a Ferrari or Lamborghini in all its red or yellow sleekness that translates into sexy, exotic, and fast.

But now there’s Pagani, another Italian make out of Modena (Ferrari’s birthplace), and its sleek mistresses of speed, Zonda and Huayra. I don’t think of a Pagani dominated by one color either, so it’s fine that the Autoart 1:18 scale sample is in a blue tricolor carbon fiber finish. It’s an eyeball blistering look that will leap out amid any die-cast collection.

The History

First, you may want to know how to pronounce Huayra. Say waira!

The mid-engine supercar replaced the Zonda and packs a Mercedes-AMG 6.0-liter twin-turbo V12 to propel it from 0 to 60 mph in 2.8 seconds. Horsepower is 720 coupe, 754 roadster. Torque is 738 lb.-ft. Top speed is 238 mph. So, faster than snot!

The car, designed by Argentinian Horacio Pagani who founded his namesake in 1992, debuted in 2012; the roadster launching in 2017. Weight is at a premium, just 2,822 lbs. overall for the roadster, about 150 lbs. less than the coupe. The 22-lb. exhaust system alone is specially made of titanium to reduce weight.

Front nose flaps aid Huayra’s handling.

Cool features? Well there are four automatically operated flaps, two front and two rear to optimize aerodynamics, minimizing drag and maximizing downforce.

The front flaps also cut body roll in corners while the rear flaps also serve as air brakes. That becomes much more important at 200+ mph than on city streets or interstates.

The roadster features a removable roof panel, a redesigned engine cover, and most obvious, doors that open conventionally. The coupe features gull-wing doors. Also unique to the roadster is its carbon triax fiberglass body mixed with carbon fiber bands, again keeping the car as light as possible.

Here’s the Pagani with its black roof panel in place.

There’s a price to pay, if you are among the car’s 100 buyers, or can snag a used one. New, the Huayra went for about $1.1 million. That makes the $330 price for Autoart’s 1:18 model seems a super deal by comparison.

The Model

               Already a top-tier die-cast car maker, Autoart’s models just keep getting better and better. This Pagani is gorgeous and as detailed as some models costing $500, or more. Another plus, Autoart creates more modern machines than most other high-end model makers who tend toward the classics.

               This one is spectacular.

               The body’s finish is perfect with the textured blue carbon fiber look meticulously reproduced. You can feel the slightly ribbed texture with a finger, and a bonus, you won’t leave a fingerprint as you might on a glossy finish.

               The four nose and tail flaps, as mentioned above, can be posed up or down. There’s a Pagani medallion on the black hood insert just at the windshield’s base. One giant wiper appears to sweep the windshield.

Love the quad exhaust grouping on the tail!

Black carbon fiber-like trim wraps the windshield and bulkhead bulges behind the seats where the separate roof can lay on top. Similar black carbon fiber graces the chin spoiler, the aero skirt along the side that blends into the rocker panel before the rear tires and then much of the rear-end, including the huge diffuser.

That spreads out just below the four exhaust tips that exit together out the top tunnels that run from those headrest bulges back to the tail. Wow!

               Up front are eight individual light lenses, grouped in twos, and horizontal light bars on the nose, just above the chin spoiler. The fine black mesh metal grille work on the nose is dainty and precise.

               There are cooling vents on the front fenders over the wheel wells with distinctive chrome dividers and likewise Pagani-labeled chrome accents over the vents built into the doors, again just behind the front wheels.

               Chrome Huayra script logos grace the rear quarter panels before the rear wheels and another is on the lower right of that black carbon fiber rear panel above the diffuser. Again, more delicate black wire mesh is on either side of the quad exhausts and another Pagani logo just below that. Rear taillights, all six of them, look realistic with matte chrome surrounds.

               The entire rear deck features more curves than on stage at a beauty pageant with the tunnels leading to the exhaust displaying more mesh in the elongated oval vents. An arrow-tip clear plastic insert is just over that AMG V12 so you can see its black, silver and yellow goodness, even with the bonnet closed. Flip up the big rear deck and there’s a full suspension, springs, detailed engine, bracing, and such to entertain a viewer.

There’s a ton of detail under the rear bonnet.

               With that open a couple luggage compartments, one on each side, will open to reveal tan luggage pieces that match the car’s interior. Great detail and a bonus for folks who like to pose their models with all opening features fully revealed.

               Doors open, naturally and with the roof off the interior view is unimpeded. Detail here is tremendous too. The interior is two-tone tan and black with oodles of silver or chrome accents. The doors have giant round chrome and black speaker/door release features that are a bit over the top, but then at a million bucks, you expect some of that.

               Seats are racing types with major side bolsters, cloth shoulder belts and textured seat cushions.

The tan interior is chock full of gauges, air vents and detail.

               This dash and steering column-mounted instrument panel looks like something from a starship, or at least an aircraft. The wheel is a tan and black flat-bottom racing style while the gauges on the column are mostly chrome and black and readable. Four round air vents protrude prominently from the dash and the center stack is fully detailed with screen and buttons, plus a red-balled control near the top that I must admit I have no idea what its function is.

               A silver gear shift lever is between the front seats and you can see carbon fiber firewalls in the foot wells and under the dash, plus giant speakers with chrome surrounds. It’s all pretty spectacular and much more visually interesting if you leave off the roof that can be placed on top for a closed-top roadster.

Cool that you can pose the car with its matching luggage!

               If you’re into serious rubber, the Pirelli P Zero Corsa tires are so-labeled and as wide as a hot dog eating champs’ butt. Nice tread pattern too.

Front wheels are steerable, with the steering wheel connected, so not just poseable. Wheels themselves are multi-spoked star designs in matte silver and behind those are monster drilled disc brakes with blue Pagani-branded calipers, the rears being somewhat different from the front calipers.

Details, details, details. That’s what Autoart is into big time and this Pagani epitomizes that attention. This is one of the most beautiful and fully detailed models I’ve ever reviewed. Winner!

Vital Stats: Pagani Huayra Roadster

Maker: Autoart
Scale: 1/18
Stock No.: 78286
MSRP: $330

Link: Autoartmodels.com

Die-Cast: Auto World’s 1971 Chevy Camaro RS/SS

1971 Camaro RS/SS full of sophisticated style, sharp detail …

Fond memories of an early car follow many of us who grew up in the 1960s and 1970s and the second generation Camaro fills this category for me, and likely many others.

I loved the original Camaro’s shape, but the second gen was a smooth and sexy new look in the muscle car wars. The pointy snout with the two big headlights, smooth uncomplicated body lines and handsome four round taillights was a winner, and then down the road they were used as the International Race of Champions race cars. Bingo, loved it!

All that was plenty, but my first serious girlfriend’s dad had one that he loaned us for a date night. The car was as red as her hair, and I dare say we looked a spectacular couple heading to the show. While I should remember more, I mainly recall being able to bury the accelerator and squeal the tires, once we were out of dad’s earshot, and I made sure to take the highway that night so I could push the speed envelope. Continue reading Die-Cast: Auto World’s 1971 Chevy Camaro RS/SS

Die-cast: Autoart’s Lamborghini URUS

Lamborghini’s super SUV is an eyeful, even in 1:18 scale …

Naturally few of us will ever be able to afford a Lamborghini, but I know where you can get one for less than $300 … from Autoart and it’s in 1:18 scale.

Like the rest of the automotive market, the raging bull of Italian auto design and supercar power has adapted to the market. It now makes an SUV, the Urus.

Sounds like a planet to me, but a little research tells me it’s a big ol’ long-horned European wild ox that recently became extinct. Scientists say it was an ancestor of domestic cattle, so plays into the wild bull imagery of Lamborghini. Continue reading Die-cast: Autoart’s Lamborghini URUS

Die-cast: Replicarz’s 1920s Duesenberg Indy 500 winners

These Indy 500 winners are real Duesys …

Replicarz 1924 Duesenberg Indy 500 winner
Replicarz 1924 Duesenberg Indy 500 winner: L.L. Corum and Joe Boyer

Indianapolis-based Duesenberg Automobile and Motors Co. was a powerhouse at the Indianapolis 500 in the 1920s, winning three out of four years from 1924-27.

Duesenbergs were known for their strong engines, and the company made marine and aviation engines during World War I. But following the war its founding brothers, August and Frederick Duesenberg, moved the company to Indianapolis. They loved powerful engines and created some of the best of the era for their Indy racers. They also made competitive chassis for Indy racers.

Now Replicarz, which has made 1/43 scale 1920s Miller racers, turns its attention to 1/18 scale resin versions of the Indy-winning Duesenbergs. They’re sharp, as usual.

The History

Duesenberg won its first Indy 500 in 1924, the first car with a supercharger to win Indy. Drivers L. L. Corum and Joe Boyer shared the driving duties and the following year the popular Peter DePaolo, won in a bright yellow Duesy.  After Frank Lockhart won aboard a Miller in the rain-shortened 1926 race, Duesenberg was back in the winner’s circle in 1927 with George Souders at the wheel. It was Duesenberg’s final Indy win.

The outgoing DePaolo, who later authored the autobiography Wall Smacker, is noted for being the first driver, and car, to average more than 100 mph for the entire 500 miles at Indy. His record was 101.127 and lasted until 1932 when Fred Frame averaged more than 104 mph. Continue reading Die-cast: Replicarz’s 1920s Duesenberg Indy 500 winners

Die-cast: Autoart’s Aston Martin Vanquish

Aston Martin Vanquish = automotive art …Autoart Aston Martin Vanquish

Some cars are rolling art right from the get go. Such is Aston Martin’s Vanquish, which was introduced in 2013 to coincide with the British luxury car maker’s 100th anniversary.

As with all Astons, the goal was to combine beauty and performance on four wheels.

Likewise Autoart has recreated that beauty in 1/18 scale with its composite-bodied Vanquish, in sparkling black for the review model. Other colors are available, but bathed in black this baby looks long, lean, and sexy, just like the real beast.

The History

Vanquish, like most high-priced luxury makes, was aimed at the uncompromising buyer. But not the one who demands only luxury, or beauty.Autoart Aston Martin Vanquish

Vanquish, as its name suggests, wants to smite its automotive foes that are competing for the high-end coin of the realm.

A 2017 Vanquish lists at $287,650 for the coupe (like the review car) and $305,650 for the convertible.  Under its long carbon fiber hood is a throbbing V12 that makes 568 horsepower, the most of any power plant in Aston Martin’s history. Continue reading Die-cast: Autoart’s Aston Martin Vanquish

Die-cast: Autoart’s Mercedes-AMG GT3

Even as a model Mercedes-AMG GT3 is sexy …Mercedes-AMG GT3

Some cars are sexy, some are nasty, some are fast. The Mercedes-AMG GT3 racer is all of the above, a lawn dart of an automobile with a long nose and a monster rear wing. Looks like it could nail any competitor to the pavement.

Autoart creates a beautiful 1/18 scale version of the GT3 racer as it was presented to the media a couple years back in a gorgeous matte metallic gray paint scheme with yellow racing stripes and a No. 1 on each door.  Who’s to argue with that?

The History

If you’re deep into NASCAR or IndyCar racing you may not know much about GT3 cars. But Group GT3 cars are Grand Touring (get it?) cars that race in various series around the world.  The GT3 designation started in 2005 under rules set by FIA, the international racing rules group.

In essence GT3 cars must be based on production GT cars and have 500 to 600 horsepower and weigh between 1200kg (2,645 lbs.) and 1300kg (2,866 lbs.). They also feature ABS, traction control and include built-in air jacks to facilitate quick pit stops. Currently about 40 cars have been approved, or homologated to race in GT3, including the likes of Audi, Aston Martin, Mercedes-Benz, Porsche, Ford (GT), Ferrari, Lamborghini, BMW, along with the Chevrolet Corvette and Dodge Viper.Mercedes-AMG GT3

The Mercedes-AMG GT3 is built in conjunction with Mercedes’ AMG performance unit in Sindelfingen, Germany. Under its massive hood is a 6.2-liter naturally aspirated V8 that creates 622 horsepower, while the production model has a 4.0-liter twin-turbo V8 that tops out at 577. The older naturally aspirated engine is simpler and more reliable for racing, hence the difference. Oh, and top speed is 206 mph. Continue reading Die-cast: Autoart’s Mercedes-AMG GT3