Tag Archives: Indy 500

1962 Pontiac Grand Prix (Fireball Roberts edition)

Auto World’s Ponty celebrates NASCAR’s legendary Fireball ….

There are perfect names and nicknames for race drivers, no doubt adding to their mystique and popularity.

As a kid I had two early favorites, Jim “Herk” (as in Hercules) Hurtubise and Edward Glenn “Fireball” Roberts. Herk was famous at the Indy 500 and Fireball was a legend in stock cars. Sadly, both were badly burned in racing accidents in 1964. Herk survived, Fireball did not.

I was in the stands at the 1963 Yankee 300 at Indianapolis Raceway Park cheering on Fireball, No. 22 in a Holman-Moody Ford, but unfortunately he didn’t finish. A.J. Foyt won in a Plymouth.

So I was stunned the following May when Fireball died a few days after an accident in Charlotte’s World 600 where he spun to miss two other wrecking cars, hit an inside wall and the car erupted into flames. Fire did a lot of damage, but Roberts also was asthmatic and that apparently had weakened his lungs. Still, he seemed such a tough character, it was hard to understand the loss.

The History

Here though Auto World celebrates 1962 when Fireball won the Daytona 500 in a black and gold Pontiac prepared by Smokey Yunick. This is a 1/18 scale version of a ’62 Grand Prix reflecting the same color scheme as Roberts’ car and was one of only about 30 created by Jim Stephens Pontiac of Daytona Beach, one of Fireball’s sponsors.

1962 was Fireball’s year, although he had started racing stock cars in the late 1940s. He always was a winner. How great was he? In a 15-year career he raced in 206 stock car races, and won 33. He finished top 5 in more than half and top 10 in roughly 60%. He won the Daytona pole three times, 1961-63 and was NASCAR’s most popular driver in 1957. Later he was inducted into the International Motorsports Hall of Fame in 1990.

 If you read my DC reviews you may recall Auto World released a snazzy 1961 Pontiac Catalina not long ago, and this 1962 Grand Prix is a looker too, just a bit less sleek than the Catalina. The Grand Prix has a thick, solid C pillar vs. the thin sloping one for the Catalina. Also, the chrome fender trim protrudes out to the edges of the fender over the lights here, whereas on the Catalina they are smaller and less pointed.

There are other differences too.

The Model

               For instance, the side trim on the Grand Prix consists of a gold streak indented in the body’s side, whereas on the Catalina this was a raised chrome strip.

               The nose is more interesting here with the dual chrome-trimmed headlights extending out into the body side panels that feature a more rounded, some might say sexier, look up. Plus the center of the hood’s nose is more pointed with chrome trim and the extended portions below the hood feature the gold trim used on the rest of the car, reflecting the look of the Roberts Daytona winner.

               Taillights are totally different on the ’62, being sort of crescent moon shaped and tucked inside wide chrome trim with extensions that frame the horizontal tail trim, again accented with gold lines.

               Engine detail is sharp as one expects on any Auto World car, with twin chrome carbs and headers, plus proper plumbing and hoses and a big battery too. Nifty too that the underside of the car is well detailed so you can see the bottom of the engine and all suspension and exhaust systems, consisting of twin matte silver pipes and mufflers here. Naturally the wheels are steerable.

          Inside the interior is less flashy than the Catalina, with black seats and chrome trim and side hinges, and yes, the front seats will fold forward and the steering wheel turns the front wheels. That wheel has a matte silver hub and horn ring with black grips on the sides, but gold trim top and bottom.

               While the dash is black with matte chrome trim everywhere, including all buttons, there also is Grand Prix spelled out in gold trim on the passenger’s side dash glove box. There’s a white cue ball shifter on the center console with chrome button on top and a giant gauge (looks like a spotlight) at the console’s front, which could be a tach or race speedometer.

               Windows are chrome trimmed, including the vent windows, as are the wiper arms and blade holders. Headlights are clear but etched and taillights are red, naturally. Door handles, bumpers, rocker panel trim and a large driver’s side fender mirror also are chrome.

     Hubcaps are the same design as on the Catalina, but with gold trim around the chrome hubs that have Pontiac Motor Division printed in a ring around the hubs.

               There’s a fun orange and blue license up front that says GR-RRR!, with Royal printed below, while in back the green on white Michigan plate says simply, Fireball.

               One note of warning if you handle your models much before displaying them. Wear a glove here because this black paint scheme is prone to showing finger smudges.

               Pontiac enthusiasts should note too that AW has made both a 1961 and 1962 Pontiac Catalina and they are available through the AW online store, autoworldstore.com. Note too that this was an early release model for review and it’s not available on the AW site just yet, but will be shortly.

               One final note on Fireball. His nickname didn’t come from his racing feats, but from his days as a minor league baseball pitcher. You guessed it, he had a mighty fastball, so was dubbed Fireball.

Vital Stats: 1962 Pontiac Grand Prix (Fireball Roberts edition)

Maker: Auto World
Scale: 1/18
Stock No.: AM1291/06


MSRP: $119.99

Link: Autoworldstore.com

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2021 Hyundai Santa Fe Caligraphy

Fourth gen Santa Fe grows into a sharp looker …

Time flies. Hyundai’s Santa Fe SUV proves it.

Santa Fe debuted 20 years ago as the South Korean automaker’s mid-size SUV. It was nothing special, just economical and reliable. Hmmm, reminds me of how Toyota, Honda and Nissan started out in this country, except with small cars, not utes.

Now in its fourth generation the Santa Fe has grown some, matured if you will. The awkward looking SUV has turned into a handsome youngster with a more muscular profile, snazzy features, a fair amount of sex appeal starting with its T-shaped headlights, reminiscent of Volvo’s sporty “Thor’s Hammer” headlights.

But don’t think knockoff. Nope, Hyundai’s designers are always pushing the styling envelope and this latest tailoring job with its bolder nose, longer more defined hood, LED taillights and those LED T-lights is another excellent example. Visually Santa Fe looks new and leading edge.

Pricing remains impressive, all the way from a front-drive SE for $28,185 up to the tested blue blood Calligraphy model, its top-ender with a starting price of $43,275, and $43,730 as it sat glowing in my driveway swathed in sparkling Quartz White, just $300 extra. AWD is available on the seven trims and standard on some, such as the Blue Hybrid and the Calligraphy, naturally.

For 2021 Hyundai ditched its old engines and goes with two new ones, plus offers a hybrid and soon a plug-in hybrid. The base engine is a 191-horse 2.5-liter I4. That’s 6 more horses than the old one. While the upscale 2.5-liter I4 turbo found in Calligraphy belts out 277 horses and touts a 311 torque rating. Car and Driver magazine says the Santa Fe with this engine will do 0 to 60 mph in 6.0 seconds with a top speed of 130 mph, not bad for a large mid-size ute.

Watch Mark’s video review: 2021 Hyundai Santa Fe review by Mark Savage – YouTube

The power is strong, making highway merges simple. I tested this on a roundtrip to Indianapolis on Indy 500 weekend and felt the highway drive akin to qualifying for the race. Few of my highway counterparts were cruising at less than 80 mph. The Santa Fe was up to the challenge and remained surprisingly quiet inside.

You can thank Hyundai for using more acoustical glass to blunt exterior noise, better undercarriage coverings to cut wind noise and increase fuel efficiency, and more sound deadening materials in the firewall and floor. The result is luxury level quiet.

There’s a smoothness to the Santa Fe too that you might not have witnessed in the past, or expected in the present. A slick 8-speed automatic transmission helps deliver power in a silky fashion, although on startup there seems to be a little lag for the first half-mile or so.

Hyundai includes a big dial on its console that blends with a center stack to engage various drive modes. Comfort is best around town and Sport for the freeway, at least when merging onto it. Snow and Smart modes also are available.

That big black dial next to the push-button transmission will set the drive modes.

I was happy with the Comfort setting as the ride was smooth and comfy with moderate steering effort. Sport firmed things up a bit, but not drastically. Yet it made acceleration much kickier.

Braking is solid too with 13.6-inch vented discs up front and 12-inchers in the rear. Plus remember the Calligraphy comes with AWD, a boon in sloppy weather and in case you want to trundle off-road a bit or when towing a boat or small camper. Ground clearance is 8.2 inches.

Tires are 19-inch Continentals for now, but 20-inchers will be available on Santa Fes soon for those who subscribe to the bigger-is-better theory of traction.

Classy looking two-tone interior stands out in the Calligraphy model.

Inside? Well, on Calligraphy models you’ll be coddled a bit with quilted leather seats that are soft to the touch and look fantastic. The test model’s were a caramel brown with black trim and the dash black over brown, as are door panels. The leather adorned steering wheel is black and a mesh-like metal trims the dash while satin chrome trims air ducts, doors, door releases, and buttons. It’s a high-end look.

I love the button and toggle laden console/center stack design because it’s obvious where all the functions are located, no confusing screen with layers of functions buried inside. Temperature controls are toggles too, so are easy to tap up or down. The tranny is push-button too, and also on the console, but I’m not a big fan, especially with the Park button off to one side.

Info screen visibility is good. An 8-inch screen is standard, but the 10.3-inch model comes on Calligraphy and is optional for other trims. Functionality is simple.

All the buttons are easy to see and use on the console to center stack layout.

Cool too that the 12.3-inch instrument panel screen changes its appearance depending on the drive mode selected and features Hyundai’s helpful safety feature that I call turn-signal cameras. Flip the turn signal to go right and a round camera image of the right side from your car’s tail on back appears. Same with the left turn signal, the images appearing on the appropriate side of your instrument panel. Bravo!

I’m not sure how many of us need a head-up display, but this one is standard and is color, so puts the speed limit and your current speed in red and green.

Front seats are powered and include a button to extend the lower driver’s seat cushion, an aid for long-legged drivers. A power lumbar control is offered too. Around town I was perfectly comfy in these seats, but for a longer drive I feel the bottom cushions need more snug hip support. I found my tailbone burning after 100 miles. Jamming my wallet under my right hip helped some, but that seems like something a driver shouldn’t have to do to avoid leg and hip fatigue.

Others had no butt issues and riders found the rear seat roomy enough for three adults, plus the outer rear seats are heated. The front seats are both heated and cooled and Calligraphy adds a heated steering wheel.

Other features are plentiful. Inside is a snazzy Harman Kardon premium sound system, a panoramic sunroof, power hatch and wireless phone charger where you insert the phone vertically right by the cup holders. Nice fit, but I forgot my phone regularly. I prefer a tray where you can lay a phone and still see it.

There also are manual sun screens for the rear seat’s side windows and a huge storage area behind the second row seats, including large bins under the floor. Hyundai claims 36.4 cubic feet of space and that’s believable. Put the rear seats down and that expands to 72 cu.ft. That’s better than even some larger SUVs.

There’s a lot of cargo space behind the second row seats, even some under the floor.

Hyundai’s safety lineup is stout on the Calligraphy with semi-autonomous drive modes that keep the car in its lane, even on turns. This worked really well on the highway, but insisted the driver keep his or her hands at 10 and 2 or 9 and 3 on the wheel. I rested mine near the bottom of the wheel on a long straight stretch of Hoosier highway and the instrument panel got mad, saying I should hold the wheel. I was. Also it lit up once when I was holding the wheel with just one hand.

Better safe than sorry I suppose.

Blind-spot, forward-collision avoidance, high-beam assist, rear cross-traffic assist and braking, smart cruise control, and a 360-degree camera are standard.

One sort of safety system that wasn’t intuitive, at least to me, was the rear door safety locks for kids. I’m used to these being near the door latch mechanisms with a tab to flip up or down. Hyundai couples the door locks with the rear-seat child window locks. You engage that and the kid can’t put the window down, OR get out. Might be fine for wee ones, but my 12-year-old grandson got tired of being locked in, until grandpa figured out the buttons.

Santa Fe has a grabber nose with a stylish grille and T-shaped headlights.

On the plus side, Hyundai also offers standard wireless Apple Car Play and Android Auto on all Santa Fe models.

Likewise, fuel economy is up about 30% across the lineup. The test SUV was rated 21 mpg city and 28 mpg highway by the EPA. I got a fine 26.4 mpg in my highway drive that included some city driving at each end of the trip. We had three of us and luggage aboard.

For now there are the two gas engine choices and a hybrid with 226 horsepower from a 1.6-liter turbo and two electric motors, plus 6-speed automatic and AWD. A plug-in hybrid model is expected late in 2021.

Cool how the light bar runs across the width of the rear hatch and into the taillights!

If the Calligraphy sounds nice, but is a bit rich for your budget, consider the second level SEL model for $29,985. It adds heated seats and mirrors, a blind-spot warning system, satellite radio and keyless entry with push-button start. The Blue hybrid model starts at $34,835 and includes AWD.

Santa Fe moves Hyundai deeper into the SUV mainstream with leading-edge design and luxury features and finish in the Calligraphy trim. Test one to see how it fits your derriere!

FAST STATS: 2021 Hyundai Santa Fe Calligraphy

Hits: Sharp redesign, more powerful engine, good ride and handling, plus AWD. Cool T-shaped lights, Harman Kardon stereo, panoramic sunroof, power hatch, 10-inch screen, clear button arrangement on center stack, turn-signal activated side cameras, nice visuals on instrument cluster, heated/cooled front seats, heated wheel, heated rear seats, large cargo area w/underfloor storage, roomy interior, wireless charger, rear side window screens, and stout safety device lineup.

These T-shaped headlights are a standout styling feature.

Misses: Lower seat cushion is hard and not as supportive as many, leading to tailbone burn on drives over 100 miles, but lower cushion will extend for tall drivers. Rear door locks are activated by rear window child-proof locks and not intuitive.

Made in: Montgomery, Ala.

Engine: 2.5-liter turbo I4, 277 hp

Transmission: 8-speed automatic w/Shiftronic

Weight: 4,060 lbs.

Wheelbase: 108.9 in.

Length: 188.4 in.

Cargo: 36.4-72.1 cu.ft.

Tow: 3,500 lbs.

MPG: 21/28

MPG: 26.4 (tested)

Base Price: $43,275 (includes delivery)

Invoice: $41,480

Major Options: Quartz white paint, $300

Carpeted floor mats, $155

Test vehicle: $43,730

Sources: Hyundai, www.kbb.com

Photos: Mark Savage

Die-cast: Replicarz March 86C, 1987 Indy 500 winner

Al Unser’s 1987 Indy winner was fresh off a hotel lobby’s floor …

If you’re familiar with the Indianapolis 500 at all you know that Al Unser Sr. became a surprise four-time winner in 1987.

The bigger surprise though may have been that he did it in a car that weeks before had been on display in a Scranton, Pa., hotel lobby.

History is twisted and sometimes good things come to those who wait. Despite being a 3-time Indy winner Al Unser was without a ride for the 1987 Indy 500, but was waiting and watching in Gasoline Alley in case a good opportunity arose.

It did and that’s the car you see here, an Adrian Newey-designed March 86C that had been used the previous season, but now was a Penske show car as the team had moved on to its new PC-16 chassis, at least initially. Continue reading Die-cast: Replicarz March 86C, 1987 Indy 500 winner

Die-cast: Autoworld 1935 Duesenberg SSJ Speedster

Auto World steps back in time to create a real Duesy …

Growing up in Indianapolis, the early auto world’s hub and home to the Indy 500, I was aware that the Duesenberg name was a big deal.

Even though the company that brothers Augie and Fred Duesenberg had built to fame had already been gone for 20 years or so, the make remained famous in Indiana. As a youngster I saw Duesenbergs at local car shows and I was well aware Duesenberg racers had won the 1922, ’24, ’25 and ’27 Indy 500s.

But long-term it was the luxury and performance of the Duesy road cars that stuck with folks. These were the legitimate supercars of their day, and none more so than the SSJ Speedster that Auto World has turned its considerable skills to reproducing in a high-value 1/18-scale offering. Continue reading Die-cast: Autoworld 1935 Duesenberg SSJ Speedster

Die-cast: Replicarz’s 1966 Indy 500 winning Lola T90

Replicarz creates sharp 1/18 scale Hill ’66 Indy winner …

Graham Hill, a Formula 1 world champion, was the surprise winner of the 1966 Indianapolis 500, just a year after Jim Clark, with the same credentials, had won.

But it was Clark and his STP crew that were surprised by Hill’s win, thinking they had won.

Now Replicarz expands its 1/18 scale Indy winning car lineup with Hill’s beautiful and surprising Lola T90. Continue reading Die-cast: Replicarz’s 1966 Indy 500 winning Lola T90

Die-cast:1986 March 86C, Indy 500 winner

Rahal’s 1986 Bud/Red Roof racer looks a winner in 1/18 scale …

Not to namedrop, but as a young newspaper reporter I was in Bobby Rahal’s garage at the Indianapolis Motor Speedway just after driver Gordon Smiley was killed in a horrific qualification day crash in 1982. It was Rahal’s rookie season and the young driver was moved by the tragedy.

I never forgot that slice of humanity I witnessed and always was a bit of a Rahal fan after that. My son picked up on that and cheered for Rahal as a youngster, even making a Pinewood Derby car with Rahal’s name on it.

So, I’ve been eager to see Replicarz latest 1/18 scale release of an Indianapolis 500 winner, the March 86C that Rahal drove to his lone Indy win in 1986. This is one in an ever-expanding series of Indy 500 winning cars Replicarz has produced. It’s other latest is the 1990 winner that Arie Luyendyk drove. I reviewed that car a couple weeks ago.

The History

Bobby Rahal was a sports car and road-course racer that had been supported in his amateur racing career by former racer and businessman Jim Trueman, who also founded the Red Roof Inns motel chain. In 1982 his Truesports Team entered a car for Rahal in the Indy 500, and Rahal quickly became a contender in the IndyCar series (then CART).

He won two races in his first season, including the Michigan 500, and finished second in the championship. Some rookie!

His success continued, finishing third in the IndyCar championship in 1984 and 1985, winning six more times in that period. Then came his exceptional 1986 season when he won six IndyCar races, including the Indy 500.

With two laps remaining Rahal passed leader Kevin Cogan on a restart and held on to win the 500 in his Cosworth DFX turbocharged V8-powered March. The win was an emotional one for Rahal and the team as Jim Trueman, 51, was dying of cancer, but was in the pits to celebrate the win. Trueman died less than a month after Rahal’s win.

Rahal retired after the 1998 season, his last IndyCar win being at Nazareth Speedway (now closed) in 1992 when he earned his third series championship with four wins. He also was the IndyCar champ in 1987 and finished second at Indy in 1990 and third in 1994 and ’95. He now owns and IndyCar team with his son Graham serving as driver.

The Model

Oh boy is this a good-looking car in its deep bright red Red Roof Inns and Budweiser livery, a white No. 3 on the nose and sides of the engine cover and rear wing.

Ground-effects and aerodynamics were playing a big role in IndyCars by the mid-1980s, but the cars were still relatively clean and the monster wings of the 1970s had been outlawed. Here the air rushes through sidepods and over radiators to escape the pods just behind the cockpit. There are tiny winglets in front of each rear tire to redirect the air over the tires creating more downforce. Each is held by twin adjusting wires. There’s also a modest air scoop at the engine cover’s tail to direct more air into the Cosworth’s turbo.

The tail of the powerplant and transmission extends out the back of the car and is nicely wired and plumbed. Cool too are the shocks on either side of that air scoop.

Wings had been regulated to remain no wider than the inside of the rear wheels and this one juts up on a red support with Bud logos on each side and Budweiser lettering spread across the wing’s top.

The March has thin winglets on the nose with Red Roof’s moto, “Sleep Cheap!” in white atop them. There’s also a small antenna on the car’s nose, black trim around the windscreen’s lower edge and two tiny red mirrors extending off each side of the car’s cockpit wall. The fuel filler outlet is just behind the cockpit to the driver’s left and a thin roll bar extends above the cockpit, tapering into the bodywork.

Suspension work is all solid and painted matte black with tiny screws holding the rear assembly together. Tires are black slicks with Goodyear Eagle labeling on both sides, as on the real racers. Wheels are silver racing wheels, not chrome, with gun metal center locking nuts. And while there are a bevy of sponsor logos on the nose, the key white logos, mostly trimmed in black are Red Roof Inns, Budweiser with Valvoline and Goodyear in a couple spots.

Inside, the cockpit walls are matte black as is the low-slung seat, but there are red cloth shoulder and seatbelts with photo-etched metal clasps. The dash includes a couple dials, the three-spoke racing wheel, pedals and a small silver gearshift lever to the driver’s right.

Once again Replicarz delivers an Indy champion caliber car deserving of a trophy. Snag one before they’re gone.

Vital Stats: 1986 March 86C, Indy 500 winner, Bobby Rahal

Maker: Replicarz
Scale: 1/18
Stock No.: R18030
MSRP: $249.95

Link: Replicarz.com

 

Die-cast: Replicarz 1972 McLaren M16 (Revson)

Revson’s Indy 500 pole car another Replicarz gem …

Peter Revson was a wealthy playboy type, but a talented racer. McLaren was a noted and successful race car maker. Their link-up in 1971 was historic and launched a successful era for both at the Indianapolis 500.

Revson, the heir to the Revlon cosmetics fortune had tried his hand at F1 racing in Europe, but to no success, so returned to the United States. He hooked up with Brabham in 1969 for the Indy 500 and barely made the show, starting last but finishing fifth. He was onto something. Continue reading Die-cast: Replicarz 1972 McLaren M16 (Revson)

Die-cast: Replicarz’s 1940 & ’41 Indy 500 Maseratis

Replicarz Maserati

Latest 1/43 scale Maserati racers are a colorful duo …

The late 1930s and early 1940s saw race cars developing quickly into what we would consider modern racers and Wilbur Shaw and his Boyle Special, a Maserati 8CTF, led the way at the Indianapolis 500, but others followed quickly.

In 1939 Shaw won the 500 in his Maserati with its 365-horsepower 3.0-liter straight-8 supercharged engine, and to put an exclamation point on it, repeated the win in 1940 and darned near did it again in 1941, the last 500 before WWII. But it didn’t take his competitors long to figure out Italy’s horsey Maserati grand prix cars with their lightweight aluminum bodies could conquer Indy.

Continue reading Die-cast: Replicarz’s 1940 & ’41 Indy 500 Maseratis

Die-cast: Replicarz 1925 Duesenberg Indy 500 winner

Pete DePaolo’s Duesenberg is a beauty … Replicarz 1925 Duesenberg Indy 500 winner

Last time we laid eyes on Replicarz’s 1/18 scale Indy-winning Duesenbergs they were prototypes. Now comes the real deal, and just in time for next month’s 102nd running of the Indianapolis 500.

Granted Duesenbergs haven’t been ripping up the Speedway recently, but they were a force in the 1920s. And Peter DePaolo may have been the best-known racer of his day, and Duesenberg’s main man too. So this 1925 Indy winner should be the fastest mover of the three winners (also 1924 and 1927) now available. Continue reading Die-cast: Replicarz 1925 Duesenberg Indy 500 winner

Die-cast: Automodello’s 1981 AAR Gurney Eagles

Automodello’s Gurney Eagles are beauties …

1981 AAR Gurney Eagle
The 1981 Pepsi Challenge (No. 48) driven by Mike Mosley and the blue White Castle entry driven by Chip Mead at the Indy 500.

Dan Gurney stopped racing at the enf 1970, but his influence on open-wheel racing continued for decades afterward. Yet the 1970s and early 1980s were the zenith for his All-American Racers (AAR) Eagles.

Gurney’s Santa Ana, Calif.-based shop turned out highly competitive Eagle chassis for the Indy Car series. Eagles were consistent winners. Even the ultra-successful Team Penske used them for a while as they were outperforming Penske’s own chassis.

Yet in 1981 AAR went a whole new route with its design, making virtually everything behind the driver’s cockpit into a wing that created terrific downforce to increase cornering speeds.

Now, Automodello joins Replicarz in creating high-quality 1/43 scale resin historic Indy racers with its model of the AAR 1981 Eagle that sat on the front row for the Indy 500 and won a race in Milwaukee. It also makes a second Eagle that was entered in the 1981 race.

The History1981 AAR Gurney Eagle

The radical Eagle design with its broad, flat rear side pods and extension behind the rear wheels, plus a small wing atop what was essentially a lower wing, caught everyone at the 500 by surprise. Mike Mosley, a speedy Indy veteran with tough luck, was the driver of Gurney’s famous No. 48.

In addition to its design, including two large air scoops hanging off the engine cover to feed air to its fragile Chevrolet V8, the Eagle was painted a bright yellow and white and labeled the Pepsi Challenger. Continue reading Die-cast: Automodello’s 1981 AAR Gurney Eagles