Category Archives: Die-cast Cars

Die-cast: Auto World’s 1947 Cadillac Series 62 Convertible

A stylish 1:18 scale Series 62 with opening hood, trunk, doors …

Cadillac was near the top of the U.S. automotive world as far as a reputation for luxury coupled with performance prior to World War II.  Oh sure, there was Packard too, but the Series 62 Caddy was king of the heap.

And of course that meant a lead sled as these were all steel and assorted metal compounds at the time, with engine blocks that were so heavy they could have been battleship anchors.

But still there was style, and chrome was a big part of that. Auto World is practiced at the art of creating 1950s to 1970s muscle cars with all their chrome grilles and bumpers, but it had to turn it up a notch for this new 1947 Cadillac Series 62 Convertible. To use phrasing of the time you bought one to grandstand that you’ve got a lot of lettuce!

The History

Cadillac launched the Series 62 in 1940 as an entry-level Caddy, but production ended in 1942 as auto factories turned their efforts to war machines. In fact, by 1947, just after the war as Cadillac was converting back to car production, the automaker was only making 12 models in four different Series, roughly a quarter of the models it had made pre-war.

It shouldn’t be a surprise that the Series 62 was most popular as it had been fairly new when the war began and was entry-level for Caddy. The Series 62 reportedly made up 84% of Caddy’s sales in 1947 and Cadillac reported it had a 100,000 backlog of orders.

Series 62 models included a hardtop, convertible and 4-door sedan. More than 55,600 were sold, a record at the time. In 1947 a Series 62 4-door sedan went for $2,553, up from $2,359 in 1946. With strong demand came higher prices. Likewise today a ’47 convertible is coveted among collectors and can go for north of $100,000 depending on its restoration level.

AW models the 1947 Caddy with its Monobloc flathead 5.7-liter V8, which made 150 horsepower. The chrome fender guards and 5-bar grille were new styling cues for 1947 as GM tried to freshen its lineup that essentially reflected 1942 styling. Oh, and the hub caps were known as Sombrero wheel covers. Ah, marketing!

For the record, the third generation Series 62, like the second-gen model, was designed by GM’s now famous Harley Earl. It went into production as a 1949 model and featured GM’s new overhead-valve V8. The engine was a big deal at the time as it replaced the lower powered, heavier model. The new 5.4-liter V8 delivered 10 more horses at 160, yet weighed 200 lbs. less than the 1948 model. The 1949 model was Motor Trend’s first Car of the Year.

The Model

               Convertible die-cast cars are fun because they let you see the car’s full interior, plus they just look a little sleeker.

               AW delivers this one in Madeira Maroon, a dark maroon with creamy white convertible tonneau cover and interior door panels. While the Caddy looks like a beast with its egg-crate grille and chrome bullet-shaped bumper guards front and rear, the color makes it seem as elegant as it was at the time. Note though that the paint job easily shows fingerprints, so if you’re handling it gloves are a wise idea.

Enough chrome here for ya? Plus a big V8 under the massive hood.

               Chrome here, as it was in 1947, is nearly overpowering, but certainly adds a high bling level to the Series 62. The nose and tail are dripping with it via those bumpers, the grille, Caddy insignias and hood ornament. Plus this model includes a bold chrome trim line from the front wheel to mid-door at the end of the bulging fenders that wrap into the doors. Likewise there are chrome stone guards and trim on the rear fenders from in front of the rear wheel to just behind it.

               Clear textured headlights feature chrome bezels and the rear lights are a threesome on a vertical chrome bar. Wipers, windshield and door trim, a big extended side mirror and stubby antenna on the driver’s side fender also are chrome, as are the door handles and trunk release.

               For realism note that the hood, trunk and doors all open and the front wheels are poseable.

               Under that massive hood is the aqua block of GM’s 5.7-liter V8 at the time, plus wiring and other detailing, although to be honest the car looks more interesting with the hood lowered, likewise the trunk.

               Inside the seats are a matte red and include built-in armrests in back and chrome window cranks and door release levers up front on the doors. The dash is a busy place with massive grille work at its center, a row of buttons along the top, plus a speedometer and analog clock (no digital in 1947!). A few other gauges are easily seen along with controls under the passenger-side dash.

Details galore in the interior, from the window cranks to the gauges.

               The Series 62’s steering wheel matches that creamy interior trim, but with a three-spoke chrome hub and horn ring. Over the windshield is a built-in roof support and the chrome rearview mirror.

               Know too there is a detailed undercarriage with single exhaust system and solid axle rear suspension. If you pose this on a base with mirrored bottom a viewer can see some of that. Wheels also highlight those big Sombrero wheel covers and wide white-sidewall tires.

               I prefer 1950s through 1970s cars myself, but this is an elegant look back at post-war heavy metal and will accurately reflect those times in your collection, plus highlight the big jump forward in styling that the 1950s cars represent.  

Vital Stats: 1947 Cadillac Series 62 Convertible

Another look under the hood.

Maker: Auto World
Scale: 1/18
Stock No.: AW273
MSRP: $123.99

Link: Autoworldstore.com

Die-cast: Auto World 1961 Pontiac Catalina Hardtop

1:18 scale Catalina a long, lean hot rod …

Ah, the Catalina. The name alone seemed exotic and somehow a bit sexy in the 1960s. But that was during a time when cars had names that stirred imaginations and were not just known by a collection of numbers or letters.

Pontiac was rife with great names during its long run, Bonneville, Firebird, Chieftain, Parisienne, Ventura, Silver Streak, Tempest, Star Chief, and Le Mans, to name a few.

Catalina was a big player and the name hung around for years. Now Auto World creates a 1961 version of the hardtop model and it’s up to AW’s usual fine standards.

The History

It wasn’t until 1959 that the Catalina was offered as its own standalone model, basically a low-cost starter Pontiac if you will. But it was restyled for 1961 and placed on an all-new frame known as the Torque Box. Sounds like it should be fast, right? That replaced the old X frame and one could argue this is when Pontiacs starting becoming lower, longer and wider. Remember the old advertising line, “wide-track Pontiacs?”

For 1961 Pontiac went with the lean long look that it stuck with for years, think Bonneville and Parisienne! The roofs also were squared off and the split grille returned and remained a styling cue for years. That included a somewhat pointed nose and hood. I always thought the split grille as cool as a BMW nose. But then I liked Edsels too.

Naturally speed was vital to car sales in the 1960s and Pontiac and Oldsmobile also were well regarded for their race results in the new burgeoning NASCAR series.

Catalina featured a number of V8 power plants, all based off its 389 cu.in. engine (modeled here) and linked to various transmissions, including manual ones with floor-mounted shifters. There was a four-barrel carb model creating 333 horsepower, plus a Tri-Power option with higher compression to make 348 horses, and another for drag racers with 363 horses. Near the end of 1961 a dealer-installed 421 cu.in. Super Duty V8 became available too.

               For the record these big boys rode on a 119-inch wheelbase and were 210 inches long. Think current SUVs. Six styles were offered, including a convertible and station wagon. AW models the 2-door hardtop, which looks a little sportier with no B-pillar.

               At auction today the average sale price of a ’61 Catalina is a little more than $39,000, but a perfect one, the auction sites say, could go for $99 grand.

The Model

               As with other AW 1:18 die-cast models the doors, hood and trunk open and the somewhat sparkly Richmond Gray is perfectly applied.

               One of the features that shines on all these 1950s and 1960s models is the chrome as the bumpers, window trim, wiper arms, radio antenna, door handles and the styling accent strip on the car are chrome. The nose and tail Pontiac emblems are well executed and Oldsmobile is spelled out on the rear panel below the 3-body trunk and between the snazzy red oval taillights with silver trim.

               Headlights are clear, but textured and the grille silver with black between the strakes for definition. Oh, and there are those little chrome winglets that extend vertically from the front fenders. Fun!

               Under that massive hood is a turquoise to baby blue V8 engine block and headers, three chrome carbs and plenty of black wiring and plumbing. The radiator cap and battery terminals are painted silver and there’s a caution label on the protrusion over the fan.

Good looking engine and under-hood detail here.

               Tires are treaded white sidewalls with no branding and at least one of the tires whitewalls was misprinted slightly. Matte chrome hubcaps feature a flat center cap with Pontiac Motor Division printed on it.

               Inside the interior here is a somewhat sparkling rusty red with white door trim panels and stripes across the seat backs, adding flamboyance to the big two-door’s interior. There’s also a cue-ball shifter on the center console, a chrome and red two-stalk steering wheel with chrome horn ring and three black pedals (including a clutch) on the floor. AW finished off the floor with a medium brown flocking to look like carpet and a rust-colored floor mat for the driver.

Giant cue ball shifter lets you know this Catalina is ready to rock!

               The dash is Grand Canyon wide and features a silver center portion with wide black and white speedometer, a radio and Catalina printed on the passenger-side dash. Buttons are silver and the door release levers and window knobs are chrome, plus the rear seat armrests include silver ashtrays.

That’s one wide dash with a lot of chrome!

               Catalina’s undercarriage is completely detailed too with fine drivetrain and suspension detailing including shocks. Plus there’s a matte silver twin exhaust system and mufflers along with steerable front wheels. Nice detail that even pricier composite models often skip entirely.

               All this and pricing still in the $115 range while the composites have grown to upwards of $200, or more if there’s a detailed engine. AW’s die-cast remains high value at an affordable price.

Like that Poncho license plate and the Pontiac name spread out on the tail.

               Just a final note that AW made a 1962 Catalina previously and it’s still available through the AW online store, autoworldstore.com.            

Vital Stats: 1961 Pontiac Catalina

Maker: Auto World
Scale: 1/18
Stock No.: AM1254/06
MSRP: $115.99

Link: Autoworldstore.com

Die-cast: Auto World’s True 1:64 2020 Chevy Corvette and 1963 Chevy II Wagon

Mid-engine Vette and boxy 1963 Chevy II wagon are high-value DC

Two Chevys couldn’t be much more different than the mid-engine 2020 Corvette and the 1963 Chevy II Nova Wagon, but I love them both.

Different reasons of course, but here’s their appeal.

First, the new Corvette will be an icon for years, just like the original Vettes. Why? Because it shifts the engine to behind the driver and its looks are Ferrariesque, or maybe more McLarenesque. It’s swoopy but still with that pointed Corvette nose.

The Nova wagon? Well, as a kid my Uncle Mac and Aunt Vi each had a white Chevy II, before they became Novas. One was a sedan, one a convertible. I found them simple and useful, but somehow just a bit cute. They were the right size, back when compacts were compacts. So I’ve had an affinity for Chevy II models since about 1962.

For collectors, the good news is that Auto World allows us to enjoy both these models for next to nothing, just $7.99 a pop with its True 1:64 Sports Cars and Muscle Wagons series. Here’s my take, and these are both new castings from AW.

The Models

               This new C8 Corvette looks particularly sharp in white as the color accents its chiseled good looks from that piercing nose to its muscular flanks, plus a slightly flared rear spoiler. As with its front-engine 1:64 models, the mid-engine Vette’s rear deck easily pops open to reveal its V8. The nice part is that with a big rear window you can see the orange engine block whether the deck is raised or closed.

               Detail is what you’d expect at 1:64 scale, but the side trim under the deck is realistic in shape and includes the small trunk area just as in the real deal.

               I like that there are tiny molded-in mirrors at the A-pillars, the sculpted air vent openings behind the doors, accented with black paint, rear diffuser and chin spoiler, also both painted black, which sets them off on the white model. Head and taillights are painted, but properly shaped and there are two sets of dual exhausts protruding from the diffuser. The rear license is a Florida plate with C8 emblazoned on it, but you may need a magnifying glass to read it.

               Inside are red high-backed bucket racing seats and a black dash and steering wheel with enough definition on the dash top to look more realistic than you might expect at this scale. It’s not just a flat piece of plastic cut to fit.

               Wheels are a racy star five-spoke pattern in matte silver with rotors blended into the back of the wheels. Tires are treaded rubber. My only complaint is that one front wheel is misshapen so the sample doesn’t roll easily. That’s a problem if a kid is to play with it, but not for a collector putting it on display.

               The sample Azure Aqua Poly Chevy II Nova 400 Wagon has no wheel issues and rolls easily, plus it looks terrific in all its boxiness. Tires are rubber treaded whitewalls and the hub caps chrome for a little flash.

               Bumpers are a matte silver paint scheme and the same trims all the windows, the hood streak and of course the grille and wagon’s tailgate. The grille’s background also is painted black so the silver really pops. Headlights are painted white and the tiny stacked taillights are red over white.

               Side trim stripes are black and silver to just in line with the vent windows and then are silver all the way to the tail. There’s also a molded-in matte silver rocker panel. Door handles and the gas cap are accented in silver and there’s a Nova decal on the rear quarter panels and Chevrolet label on the tailgate.

               Under the hood, which easily poses in the open position, is an orange Chevy engine block with black round air filter. The rest of the underhood area is flat black plastic, including the radiator.

               Inside are blue-green seats to nearly match the body color, plus a dash with air duct work and a steering wheel.

               Both cars have undercarriage detailing too, although it’s more pronounced on the Nova wagon with its big driveshaft and suspension components, especially in back.

               Finally, there are blue and white license plates front and rear that read Nova 400 and may be Ohio plates, but even magnified that’s a tough read.

               Note too that the Vette also is available in black, although I think the white is better for distinguishing the body lines. While the Nova wagon also comes in Saddle Tan with an Ermine White roof.

               The History

In case you just woke up from a Van Winkle-type sleep you should be aware that Corvette no longer is a front-engine sports car.  The C8 moves the engine behind the driver and does away with the manual transmission, just offering an 8-speed dual-clutch automatic.

Watch Mark’s review and video of the 1:1 Vette: 2020 Chevrolet Corvette Stingray Coupe | Savage On Wheels.

The 6.2-liter V8 cranks 495 horsepower and will do 0 to 60 mph in 3.0 seconds or less, say the car magazines. And all this for just $60 grand, as opposed to most supercars running in the $150,000-$300,000 range, or more. Corvette remains a hot rod that at least some of us might afford, if not loaded with options.

The Nova wagon on the other hand did not offer a V8 in the 1963 models, but did have a fine 3.8-liter 230 cu.in. inline 6 cylinder. A V8 was optional in 1964. Nova was the top of the Chevy II lineup that also included a convertible and hardtop along with the sedan and wagon. Nova replaced the Chevy II name in 1968.

Both are fine 1:64 die-cast cars on gorgeous and informative hang cards. AW just keeps making fun and unusual models in this small scale to keep augmenting car lovers’ die-cast collections.

New to Auto World are 1:64 scale decals much as you’d find in a plastic model kit.

Note: AW also has introduced decals for you to use to soup up and customize your favorite muscle cars, etc. The sheet has a little of everything from Johnny Lightning and Mobil decals to numbers and decals that say Rat Fink, Rad Rod, etc. Yes, Mooneyes, STP and Chevy are also here among many others. Just $9.99 and you could do up a bunch of your 1:64 collection.

Vital Stats: 2020 Corvette/1963 Chevy II Nova wagon

Maker: Auto World
Scale: 1/64
Stock No.: AW64312
MSRP: $7.99 each

Link: Autoworldstore.com

Die-cast: GP Replicas Ferrari 312 B3

Lauda’s 1974 F1 car a spectacular 1:43 model …

Ferrari’s Formula 1 cars of the 1960s and 1970s were beautiful and less complex looking than today’s multi-winged wonders that seem to have stretched to limousine proportions.

Niki Lauda’s sassy Ferrari 312 B3 of 1974 is a standout example of this with a simple solid nose wing and another on the tail. The fact both were chromed to go with the blazing red bodywork made them all the more attractive and exciting.

I landed a GP Replicas 1:43 scale version and was pleasantly surprised at the detail for basically $70. Also, this was the best packed die-cast car I’ve ever received with a multi-layer box within a box. See the photos below!

The History

Lauda, the three-time World Champ from Austria, needs no introduction. He was an F1 master that took Ferrari to new heights in the 1970s, was almost killed in a 1976 crash, and continued on for years after his miraculous recovery. Winning an F1 title with Ferrari (his second) and later for McLaren.

Sharp case and label on the black base here.

But in 1974 he and Clay Regazzoni, a talented Swiss driver, scored three wins with the B3 version of the stout 312 racer, Lauda winning twice. In fact, the duo set fastest qualifying laps in 10 of the F1 races that season, outpacing their Lotus and McLaren counterparts. Ultimately Lauda finished fourth in the standings and Regazzoni second due to more consistent finishes and fewer DNFs.

Yet the B3-74 and its 490-horsepower flat 12-cylinder engine were not as dependable as Ferrari had hoped, allowing Ferrari to finish only second in the F1 constructors championship. So the B3 was reworked as Ferrari mastered the aerodynamics of the time and morphed into the stellar 312T that won the F1 title with Lauda at the wheel in 1975. The 312T debuted in the third race that season.

The Model

               I like everything about this model starting with that stout packaging to ensure it arrives in one piece, a real plus as sometimes wings, wheels or windscreens are knocked loose in transit.

               The B3’s body shape and Ferrari Red paint job are stellar. Its wings are well-shaped and the chrome finish is fine as are all the decals/logos, mainly Goodyear and Agip at the time as cars weren’t rolling billboards just yet.

Check out the yellow air ducts for the front brakes!

               Front and rear suspensions look realistic and there are yellow brake air ducts in front of the front axles, a particularly nice touch. Goodyear slicks are well labeled and the racing wheels are matte gold.

               Beyond the suspension detail is the snazzy looking engine bay with battery, low tailpipes and again brake air ducts in the exposed engine area beyond the car’s body. The Ferrari’s white wing strut looks substantial too and there’s a rear red light embedded in that, used during rainy races and on warmup laps to alert drivers of the car ahead. There’s even some wiring on the engine, pretty rare in this scale.

               Cool too are the silver screens over the rear radiator ducts, the tall air intake behind the cockpit and a delicate windscreen that blends smoothly into the cockpit’s sides. Niki Lauda’s name is in white script below the cockpit, which is black and includes a steering wheel and realistic looking blue shoulder and lap belts.

               For the record, the numbers are black on white rounded-corner squares and of course the No. 12 that Lauda carried.

               The car rests in a nice acrylic case that features a black base with a nameplate featuring the car’s make and Lauda’s name. This is a limited edition, just 500 being made.      

And this just in. I’ve heard from a large retailer that the Ferrari models from GP Replicas were not licensed properly with Ferrari for the U.S. market and that is costing some retailers money for having sold them. So, it appears these may appear mostly on the overseas digital market sites. Too bad, as this is one of the finest 1:43 scale F1 cars I’ve seen.

My advice, stick with Spark and Ixo brands for good quality 1:43 scale racing models. Or Replicarz is strong on vintage Indycars and Greenlight for current year Indycars.

Blue belts are the highlight of the cockpit.

Vital Stats: 1974 Ferrari 312 B3-74 (Niki Lauda)

Maker: GP Replicas
Scale: 1/43
Stock No.: GP-43-01A
MSRP: $70-110 (various websites)

Check out the boxes the car is packed in for protection. Pretty impressive!

DIe-Cast: 1987 Audi Sport quattro S1 Rally Racer

Autoart’s Pikes Peak racer a mountaintop experience …

Imagine, if you can, driving up a winding 12.42-mile long mountain road, mostly gravel and dirt with no guardrails and sheer drops sometimes thousands of feet straight down to certain death, should you slip over the edge.

Then imagine doing it for time and with a 600 horsepower rally car capable of more than 120 mph in a burst.

That’s what German rally ace Walter Röhrl faced in his one and only attempt at racing in the Pikes Peak Hill Climb in 1987 aboard an Audi Sport quattro S1. He won, and set a new record.

Now Autoart brings us a stunning 1:18 scale replica of that iconic Audi.

The History

Audi won the Pikes Peak International Hill Climb three straight years, 1985 to 1987, with three different drivers, Michele Mouton (first woman winner), Bobby Unser (all-time champ) and Walter Röhrl (2-time world rally champ). By 1986 Audi had won several world rally championships with its all-wheel-drive quattro (always lowercase) models so pulled out of the competition for Group B racers.

So the hill climb was Audi’s last hurrah with the Audi Sport Quattro S1 rocketing up Pikes Peak in Colorado, climbing 4,720 feet through those 156 corners with its 2.1-liter five-cylinder engine pounding out about 600 horses. Of course power drops at elevation, so the Audi “only” had 450 horses available as it neared the top on July 11, 1987. However, a special circulating air system helped boost the Audi’s air pressure for its giant turbocharger to improve its response in the thin mountain air.

Röhrl had been the world rally champ in 1980 and 1982 and he used all his skills to break Bobby Unser’s year-old record by 22 seconds, with a run of 10 minutes 47.85 seconds. The record now is 7:57 minutes, set in a VW ID R by Romain Dumas in 2018.

Röhrl’s comments well after the event? “All I can say is that it was great to take part. It was crazy, but often it is in fact the crazy things which are the best in life. It was the very pinnacle of what can be done with a rally car.”

The Model

This beautiful white wing-laden rally car model by Autoart is a near pinnacle exercise in fine detail, much as was the original. There’s a giant two-tier wing on the tail and another mounted on the massive chin spoiler at its nose.

Beyond the wings is the silky paint job with traditional Audi rust red, brown and black trim down the sides and up to the rear wing’s tip, plus same color racing stripes from hood to tail only broken by the insertion of a giant black No. 1.

There are eight fine white mesh screens in the hood, which features a brown and white Audi logo at its center and two molded-in hood pins at the front corners. The clear headlights feature Bosch logos spread across their faces and that chin spoiler has massive Michelin logos on either side of the racing stripes. The grille is flat black plastic with the four white Audi rings at its center.

Plenty of hood screens, side downforce tunnels and spoilers, plus the chin spoiler.

Under the hood is a well-detailed engine with a monster air intake tube leading to the turbo on the 5-cylinder power plant that lays sideways in the engine bay. There’s wiring and plumbing plus faux sheet metal plating to cover and protect the left side of the compartment. A thick white support bar extends from shock tower to shock tower. The hood is easy to raise and pose open as its white hinges are well-made to reflect the originals.

Sharp under hood detail here on the Audi turbo.

Down the car’s sides are flared fenders with aero tunnels atop the front wheel wells and skirting that includes air deflectors in front of those wheels. A flat rocker panel rests below both opening doors with “quattro” printed in black. The driver’s door includes a vented streamlined mirror and there’s a notch in each door that makes them easy to open for display.

The rear side window is trimmed in black and the flared fenders in back include black plastic screening that would allow air into the wheel wells for brake cooling as the Audi charged up Pikes Peak.

Big decals on each door include a red/white/blue and black Pikes Peak Auto Hill Climb logo, the No. 1, an Audi logo and Röhrl’s name, which also is painted in script above the door with a small German flag representing his homeland.

The roof is sculpted with a giant air tunnel leading to the rear hatch, which includes hinges on top attaching to the blackened rear window, just in front of that oversized two-tier spoiler.

Here’s the winged tail without the trunk cover. Twin fans and fuel filler are inside.

A rear-end cover is removable to show the gas filler and twin fans for additional cooling. Tiny rear lights have black mesh screens over them and the Audi includes white mesh screening under the trunk opening, and a white metal protective shield below that.

Here the trunk cover is in place under the twin wings.

One disappointment, albeit minor, is the treaded tires are not branded Michelin, as were on the original racer. These are generic with white racing wheels that look a bit too much like plastic, although they do include five silver wheel nuts at their core. Plus there are giant disc brakes behind all four wheels.

Inside the car is Spartan, but racy. There’s a black racing seat with Recaro proudly displayed in white on the headrest, and highly detailed red cloth seat harnesses. Of course the Audi is full of white cabin supports to protect the driver should this rally racer roll onto its roof.

Sharp Recaro seat and red cloth seatbelts inside.

A black bare-bones dash, basically a panel for readouts, backs up the four-spoke steering wheel and the panel extends down to the transmission hump in the center and includes a few buttons and switches. There’s a white fire extinguisher on the floor just to the right of a serious looking black-knobbed gear shift lever, plus a couple of silver pipes with periodic black wrapping extend from under the dash along the passenger’s side compartment out the back to the trunk area where those fans are located. Outside the passenger’s door and below the flat rocker panel are three exhaust openings too.

Overall another stellar effort from Autoart as it continues to crank out historically meaningful racers along with its long list of exotics of every ilk and color.  

Vital Stats: Audi Sport Quattro S1 (Pikes Peak, 1987)

Maker: Autoart
Scale: 1/18
Stock No.: 88700

MSRP: $265

Link: Autoartmodels.com

Die-cast: Autoart’s 2016-’17 Lamborghini CEntenario Roadster

Here’s how you can afford a $2 million Lambo Roadster …

Not a Lamborghini tractor!

Did you know Lamborghini makes tractors?

Maybe not, unless your gentleman farmer acreage is considerable and located in Europe. I’ll bet you’re more familiar with Lambo’s supercars, like the sumptuous Centenario Roadster, of which just 20 were made and nine sold to rich dudes in the U.S. That is, until Autoart started cranking out spectacular 1:18 scale versions.

I snagged a new metallic red version for review, thanks to Autoart, and like the rest of its Lamborghini lineup, the roadster is gorgeous. This roofless wonder looks faster than an Olympic swimmer or runner in a skin-tight suit. That’s because these composite body models from Autoart are made with the precision of a new laptop’s speediest chip.

First a little history.

Visually it doesn’t get any sleeker than the Lamborghini Centenario Roadster!

The History

Highly limited edition Centenario models were created to honor the 100th birthday of Ferruccio Lamborghini, the firm’s founder, in 2016. All 20 Centenario Roadsters feature a full carbon fiber monocoque chassis and a monster V12 engine. That 6.5-liter V12 pumps out an amazing 770 horses without the need of a turbo. Wow!

Lambo says that will bump the AWD supercar to 186 mph in roughly 23.5 seconds, or 0-62 mph in 2.9 seconds. Short version, it’s quick, like a lightning strike. Officially Lamborghini lists the Centenario’s top speed at 217 mph, if you totally wind out the engine, and we all know we’d try.

OK, this is only 1:18 scale, but it’s still a monster V12!

That’s fast enough, to be sure, plus there’s a rear-wheel steering system, the first in a Lambo, to help it handle any curves thrown its way when ripping along at 200+ mph. Yet the system also helps the car move more gracefully at slow speeds too.

Lambo assures us that all the interiors are individualized (and rightly so) at its factory in Sant’Agata, Bolognese, Italy. Inside there is a large infotainment screen as in all luxury makes these days, plus the seats are either leather (from virgin cows?) or Alcantara and real carbon fiber is used as trim. And not to put too fine a point on it, but if you want to drive one, the closest you’ll likely get is a session on the Forza video game.

A gorgeous face and spectacular interior make the Lambo a collector’s show piece!

For the record, the Centenario models are based on Lambo’s Aventador model and was made only during 2016 and 2017, so pre-pandemic. That short run and low production numbers add to its rarity, and naturally call for a price to match. A new one ran $1.9 million and now they are selling at auction in the $2 million to $2.5 million range.

Not a bad looker from the backside either.

That makes Autoart’s $240 seem so much easier on the Swiss bank account, or more likely the Visa bill or Paypal account.

The Model

Where to start?

The body is sublime and the color, officially Rosso Efesto, a deep metallic red, simply is a show stopper. The scissor doors are released by, get this, the actual door handles. Push and hold them in and the doors, with windows up, flip forward to further expose the racy red and white bucket race-inspired seats featuring Lambo logos on each headrest.

Scissor doors open via a push on the door handle, plus the hood opens too.

All window trim is black with carbon-fiber-look headrest hoop covers and what would be B-pillar supports if there were a roof. Side fascia, rear diffuser and the chin spoiler also are carbon fiber lookalikes.

While the needle-sharp nose is sexy with its thin L-shaped headlights and the Lambo logo, it’s the tail that draws me in. So much going on here.

A lot going on at the rear, from big light bars to snazzy diffuser and a trio of exhausts.

There are the clear-bar exposed taillights and then tiny red brake lights below, between the six red-edged diffuser fins that otherwise appear as carbon fiber. Behind those, tucked under the body’s tail with deployable rear wing are big silver radiators. Then down low between the two innermost diffuser fins are three silver exhaust outlets. And in case you’ve forgotten the car’s name, Centenario Roadster is spelled out between the Lamborghini-labeled flap that separates the light bars.

Now that you’re at the tail take a good look at that throbbing V12 once you lift the separate engine cover, which includes clear plastic panels trimmed in more carbon fiber.

The engine cover pops off easily to expose the naturally aspirated V12.

There’s a V12 Lambo logo atop the engine block and Lamborghini-labeled header covers, various liquid fill containers and silver and black caps, hoses, carbon fiber-look crisscross struts and giant horizontal shocks and springs.

Inside is a beautiful red interior with a white v-shaped pattern on the seats, a steerable flat-bottom steering wheel with red 12 o-clock stripe and Lambo logo on the hub. That big info screen looks shiny and realistic while the console it blends into features oodles of buttons. Autoart creates a sharp black instrument panel pod too and the door panels are exquisitely detailed, including a white loop on each door to help pull the doors down and latched. Inside tops of door panels also appear to be carbon fiber. Snazzy!

Cool interior? Yes it is. Check out the seats and those white loops to pull down the doors.
Here’s an even closer look at the dash and other interior features.

Tucked neatly behind the fancy 5-spoke silver and carbon-fiber wheels are monster drilled disc brakes with red Lamborghini calipers. Tires are treaded low-pro Pirelli P Zeros with red stripes to wrap up the car’s stylish looks.

Awesome silver and carbon fiber-look wheels, red-striped P Zero tires and red calipers!

We’d all like to drive one of these, even if owning one is out of the question. But now Autoart helps solve the second part of that equation. Plus it offers the Roadster in blue, silver, green and yellow, along with this stunning red.

Vital Stats: Lamborghini Centenario Roadster

The hood opens to expose nose detail too.

Maker: Autoart
Scale: 1/18
Stock No.: 79207 (Rosso Efesto/metallic red)
MSRP: $240

Recommended Sellers: Autoartmodels.comReplicarz.com

Die-Cast: Autoart’s 2018 Dodge Challenger SRT HellCat widebody

In any scale a Hellcat Widebody bulges with muscles …

As retro racy as Dodge’s Challenger has been in its latest iteration, the Widebody version is the most muscular looking and the Hellcat flexes the greatest amount of muscle under the hood.

Sinamon Stick or Destroyer Gray? I gotta go with the brighter Hellcat!

Combine the two, as Autoart has on four new models, and the Challenger SRT Hellcat Widebody oozes with muscle car goodness that could easily be the star of any 1/18 scale collection, depending on color. I say that because three of these are bright and fun, the other a low-key Destroyer Gray.

I scored, receiving both the bad boy gray one, and the stunning Sinamon Stick, a metallic copper, for review. Both feature dual Gunmetal Gray center stripes and black chin and trunk spoilers. Awesome!

The History

I test drove a Hellcat at Wisconsin’s Road America a couple years ago, both in Challenger and Charger iterations and you can believe that their 717-horsepower 6.2-liter supercharged Hemi V8s can push these rear-drive muscle cars to 130 mph, and more, in short order, sounding great all the while.

A Hellcat Widebody makes another 10 horsepower as it adds an additional hood air intake and if you were to “need” more power, there’s an SRT Hellcat Redeye with a blood-vessel bursting 797 horses capable of hitting 203 mph with a 0-to-60 mph run in 3.4 seconds. Take that Ferrari!

See Mark’s review and video of the 1:1 Challenger Scat Pack Widebody: 2020 Dodge Challenger R/T Scat Pack Widebody | Savage On Wheels

Putting that power down requires massive 20-inch tires and, naturally, superior braking power via giant discs to whoa a Hellcat. All that is detailed here on the 1:18 scale model.

The gray Hellcat feature red Brembo calipers and check out that Hellcat logo on the fender too!

Price on the real deal is high, but not as high as the supercars, say Lamborghini, Bugatti and Ferrari. A Hellcat Widebody starts at $73,240 and the Redeye at $75,000, but then you’d be ready for competition while also being street legal. Oh, and now there’s an SRT Hellcat Redeye Widebody that trips the cash register at $80,765 and a Super Stock model at nearly $83 grand, uh, but it also makes 807 hp. Autoart’s versions are much more affordable at $230, and visually they’re nearly as thrilling.

The Model

               I’ll chat up the Sinamon Stick version as that’s my favorite visually and I could find only one eyeball-catching difference between it and its gray muscle beast buddy. The gray model features red Brembo brake calipers as opposed to black on the Sinamon version.

               First, nose to tail the lines are crisp and dead-on 1:18 replicas of the street machines. The hood is beautifully shaped with the center air scoop featuring black mesh grillwork and the hood’s two side air vents also feature black grilles. Mesh grillwork fills all the nose’s split grille openings too and the quad headlights are beautifully reproduced, including the inner running lights with their outer light ring.

               Widebody fender flares look spectacular and the front ones include slightly curved side marker lenses that fit neatly into those flares. Awesome etched metal Hellcat logos accent each front fender and there are SRT markings on the black gas cap and four black Devin’s Rim wheels that grace all Widebody models.

Everything opens on Autoart’s Challenger Hellcat.

               In back the wide flat slit taillights look realistic, the black surround setting off those lights and the black spoiler looks great too. The trunk will open via handsome struts and there’s black flocking finishing off the trunk’s interior. Dual chrome-tipped exhausts are flush with the black lower bumper and Dodge is spelled out with photo-etched letters on the black trunk face. A Dodge license also hangs on the back.

Here’s a close-up look at the under-hood detailing on the giant supercharged HEMI.

               Under the opening hood, which features both scissor hinges and struts to hold it in place, is that massive V8, and yes, it says HEMI on it. A bit of wiring and plumbing is visible, but the engine and supercharger and hoses, plus cooling and liquids containers make for a tight engine bay. Detailing is strong, and impressive if you like to pose your models with the hood up.

               All windows are trimmed in black and there are big black wipers for the windshield and a shark fin antenna atop the roof. Side mirrors included true mirrored surfaces and are body colored. The flush door handles look great too, but make opening the doors a bit of an effort.

Sharp detailing on the Hellcat interior here, particularly the stack and gauges.

               Seeing inside is worth the effort though. Seating is Gunmetal gray with well-shaped racy looking buckets up front and door panels are handsomely crafted, including power window buttons and such on the armrests.

               There’s a T-handled shifter on the wide silver-topped console with two cup holders and buttons at the console’s front edge. Dash screens and air vents are well shaped and look realistic with glossy gauge faces and the steering wheel is nicely detailed with silver lower spokes and flat-edged bottom.

               I know many of us don’t display such gorgeous models with doors open, but if you allow visitors to look inside your models they’ll be impressed with this one.

               Tires are thick beautifully treaded numbers with Pirelli PZero labeling in flat black so they don’t scream for attention. They wrap neatly around the gloss black Devil’s Rim wheels and the Brembo calipers are easily spied in front of the massive front and rear discs. Front wheels also are poseable.

               If neither of these colors would lay rubber in your driveway, the Widebody also is available in Yellow Jacket with a satin black hood or Octane Red (looks deep purple) with no stripes and selling for $20 less, so it’s the bargain buy of the foursome.

               I’m all in for Sinamon Stick!

Want more realism? You’ll need to buy a 1:1 Hellcat.

Vital Stats: Dodge Challenger SRT Hellcat Widebody (2)

Maker: Autoart
Scale: 1/18
Stock No.: 71736 (Sinamon Stick) and 71738 (Destroyer Gray)
MSRP: $230 each

Link: Autoartmodels.com

See more detail photos below.

Sharp lights, black mesh grille and a fine SRT and Hellcat logo up front too.
Rear window defroster looks good as does that shark fin antenna atop the Challenger!
Fine-looking hood air scoops and vents with black mesh grillwork make for a great hood!

Die-cast: Auto World – 1967 Yenko Chevy Camaro SS 427

’67 Yenko Camaro a sexy addition to any 1:18 collection …

To me the first couple generations of Chevy’s Camaro were the most stylish. I know part of that is because I have great memories of both my Uncle Wink’s 1968 and an early ‘70s Camaro that I drove while dating in high school.

Yet it was that ’68 that Wink used to teach me the finer points of driving a manual tranny. His SS was yellow with a black nose stripe, and could definitely lay rubber with the best of them. But I can fall for any similar model and Auto World celebrates 30 years of its American Muscle lineup with a 1:18 scale Tuxedo Black 1967 SS as decked out by customizing experts at Yenko Chevrolet.  

This is another muscle car done well and oozing value for collectors of 1960s metal.

The History

Yenko was a Canonsburg, Pa., Chevy dealer that gained a reputation for creating the ultimate muscle cars in the 1960s, along with Nickey Chevy in the Chicago area. When Yenko souped up a Camaro, Corvair, Nova, Chevelle, or Vega it was gonna rock, whether just for the owner’s fun, or on drag strips across America.

The first-gen Camaro debuted in fall of 1966 as a 1967 model and was available as a coupe, like this one, or convertible. Marketing folks made sure there was a Camaro for nearly every type buyer, offering 9 engines, seemingly topping out with the SS version’s 6.5.-liter, 396 cu.in. big-block V8 that made 375 horsepower. This was the SS version to pace the 1967 Indianapolis 500, won by A.J. Foyt. More than 34,000 SS models were made.

But there was a more powerful option, the 427 cu.in. V8 that you ordered through a dealer like Yenko via GM’s COPO (Central Office Production Order). This ultimate V8 produced a massive 450 horsepower.

All SS models had non-functional air inlets on the hood, special nose striping, and SS badging on the grille, front fenders, gas cap, and horn button. All are on this model, but more on that in a bit.

If that SS model wasn’t quite cool enough looking for you, there was an RS upgrade that could be added to the SS, including hidden headlights similar to those seen on a Corvette.

How hot are SS models now? A recent internet search shows a similar Camaro to this model going for between $350,000 and $400,000. Not bad for a car that cost a bit more than $4,000 new in 1967.

The Model

               Camaros look fast in any paint scheme, but this glossy black with white nose stripe and thin twin accent stripe down the side looks especially racy, augmented by a red interior.

               Let’s start under the hood where the 427 V8 is well decked out with proper wiring and black hoses along with a couple extra struts between the nose and the tops of wheel wells for stability during heavy acceleration. Headers are chrome, the engine block orange, the air cleaner chrome with a 427 label atop the cleaner along with Chevy’s crossed flags logo.

               There’s steering fluid container and power steering unit in gold, a big ol’ generator, battery and a white fluids container. And as with other American Muscle line models, excellent scissor hinges hold up the hood so it’s easy to pose this in the raised position.

               The hood here features the Yenko hood scoop with a 427 decal on each side.

               As with other AW Camaros, the black mesh grille looks sharp and the headlights are silver with chrome rings, an SS 427 logo amid the grille and a chrome bumper below.  Setting this one off from standard Camaros is the Yenko shield logo with Camaro in white below that and 427 spread below Camaro on each front fender.

Sharp logos just behind the front wheels.

               There’s another Yenko logo on the rear panel below the trunk and a 427 logo on the rear face of the trunk’s spoiler. A silver script Chevrolet Camaro badge rests atop the trunk. Taillights are painted red and white with silver trim plus an SS logo on the center gas cap below the trunk lock.

               Inside the trunk AW places a spare tire with chrome wheel. That lays atop a black and white checked vinyl trunk pad, something most cars had at the time.

A full spare is in the trunk, along with a vinyl trunk pad.

               Front and rear windows are trimmed in chrome with side windows’ overhead trim painted silver, but with chrome-trimmed vent windows and top door trim. Those vent windows would disappear in the 1968 models. Meanwhile, the rocker panels include a chrome strip and painted silver outlines the wheel wells, connecting into that side chrome.

Tires are treaded whitewalls, but with no branding. Wheels are chrome with small blue Chevy logos on the center caps. There also are chrome door handles, wipers and a front fender-mounted antenna.

               Open either door, and you’ll find chrome kick plates with the Body by Fischer logo. There’s also a blue GM sticker inside each door. Inner door trim is red and silver with pleated door inserts and chrome window cranks. The red bucket front seats include red seatbelts featuring chrome buckles and attachments to secure them to the floor.

               Camaro’s dash is red and features two low-slung round main gauges for the driver and a wood-look 3-spoke wheel. The spokes are chrome. Tight squeeze though between the wheel and seat. A driver would need to slide this seat back to turn that wheel, oh, and it actually steers the front wheels.

There’s also a wide black center console with cue-ball shifter and fairly detailed center stack. Looks like the glove box door can be lowered slightly too, seatbacks fold slightly forward, and radio speakers are visible under the rear window.

               I like that AW always details its models’ undercarriage with full suspension system, differential, driveshaft, gas tank and twin exhausts. This adds realism where some pricier models go with a smooth undercarriage. Harrumph!

               Auto World continues to produce finely detailed models at a reasonable price for its American Muscle series. Just can’t get enough of these ‘60s era Camaros! 

Vital Stats: 1967 Yenko Chevy Camaro SS 427

Maker: Auto World
Scale: 1/18
Stock No.: AMM1247
MSRP: $99.99

Link: Autoworldstore.com

Die-Cast Autoart Pagani Huayra Roadster

Rockin’ Huayra Roadster is packed with detail …

Think of an Italian supercar and likely you’ll conjure up images of a Ferrari or Lamborghini in all its red or yellow sleekness that translates into sexy, exotic, and fast.

But now there’s Pagani, another Italian make out of Modena (Ferrari’s birthplace), and its sleek mistresses of speed, Zonda and Huayra. I don’t think of a Pagani dominated by one color either, so it’s fine that the Autoart 1:18 scale sample is in a blue tricolor carbon fiber finish. It’s an eyeball blistering look that will leap out amid any die-cast collection.

The History

First, you may want to know how to pronounce Huayra. Say waira!

The mid-engine supercar replaced the Zonda and packs a Mercedes-AMG 6.0-liter twin-turbo V12 to propel it from 0 to 60 mph in 2.8 seconds. Horsepower is 720 coupe, 754 roadster. Torque is 738 lb.-ft. Top speed is 238 mph. So, faster than snot!

The car, designed by Argentinian Horacio Pagani who founded his namesake in 1992, debuted in 2012; the roadster launching in 2017. Weight is at a premium, just 2,822 lbs. overall for the roadster, about 150 lbs. less than the coupe. The 22-lb. exhaust system alone is specially made of titanium to reduce weight.

Front nose flaps aid Huayra’s handling.

Cool features? Well there are four automatically operated flaps, two front and two rear to optimize aerodynamics, minimizing drag and maximizing downforce.

The front flaps also cut body roll in corners while the rear flaps also serve as air brakes. That becomes much more important at 200+ mph than on city streets or interstates.

The roadster features a removable roof panel, a redesigned engine cover, and most obvious, doors that open conventionally. The coupe features gull-wing doors. Also unique to the roadster is its carbon triax fiberglass body mixed with carbon fiber bands, again keeping the car as light as possible.

Here’s the Pagani with its black roof panel in place.

There’s a price to pay, if you are among the car’s 100 buyers, or can snag a used one. New, the Huayra went for about $1.1 million. That makes the $330 price for Autoart’s 1:18 model seems a super deal by comparison.

The Model

               Already a top-tier die-cast car maker, Autoart’s models just keep getting better and better. This Pagani is gorgeous and as detailed as some models costing $500, or more. Another plus, Autoart creates more modern machines than most other high-end model makers who tend toward the classics.

               This one is spectacular.

               The body’s finish is perfect with the textured blue carbon fiber look meticulously reproduced. You can feel the slightly ribbed texture with a finger, and a bonus, you won’t leave a fingerprint as you might on a glossy finish.

               The four nose and tail flaps, as mentioned above, can be posed up or down. There’s a Pagani medallion on the black hood insert just at the windshield’s base. One giant wiper appears to sweep the windshield.

Love the quad exhaust grouping on the tail!

Black carbon fiber-like trim wraps the windshield and bulkhead bulges behind the seats where the separate roof can lay on top. Similar black carbon fiber graces the chin spoiler, the aero skirt along the side that blends into the rocker panel before the rear tires and then much of the rear-end, including the huge diffuser.

That spreads out just below the four exhaust tips that exit together out the top tunnels that run from those headrest bulges back to the tail. Wow!

               Up front are eight individual light lenses, grouped in twos, and horizontal light bars on the nose, just above the chin spoiler. The fine black mesh metal grille work on the nose is dainty and precise.

               There are cooling vents on the front fenders over the wheel wells with distinctive chrome dividers and likewise Pagani-labeled chrome accents over the vents built into the doors, again just behind the front wheels.

               Chrome Huayra script logos grace the rear quarter panels before the rear wheels and another is on the lower right of that black carbon fiber rear panel above the diffuser. Again, more delicate black wire mesh is on either side of the quad exhausts and another Pagani logo just below that. Rear taillights, all six of them, look realistic with matte chrome surrounds.

               The entire rear deck features more curves than on stage at a beauty pageant with the tunnels leading to the exhaust displaying more mesh in the elongated oval vents. An arrow-tip clear plastic insert is just over that AMG V12 so you can see its black, silver and yellow goodness, even with the bonnet closed. Flip up the big rear deck and there’s a full suspension, springs, detailed engine, bracing, and such to entertain a viewer.

There’s a ton of detail under the rear bonnet.

               With that open a couple luggage compartments, one on each side, will open to reveal tan luggage pieces that match the car’s interior. Great detail and a bonus for folks who like to pose their models with all opening features fully revealed.

               Doors open, naturally and with the roof off the interior view is unimpeded. Detail here is tremendous too. The interior is two-tone tan and black with oodles of silver or chrome accents. The doors have giant round chrome and black speaker/door release features that are a bit over the top, but then at a million bucks, you expect some of that.

               Seats are racing types with major side bolsters, cloth shoulder belts and textured seat cushions.

The tan interior is chock full of gauges, air vents and detail.

               This dash and steering column-mounted instrument panel looks like something from a starship, or at least an aircraft. The wheel is a tan and black flat-bottom racing style while the gauges on the column are mostly chrome and black and readable. Four round air vents protrude prominently from the dash and the center stack is fully detailed with screen and buttons, plus a red-balled control near the top that I must admit I have no idea what its function is.

               A silver gear shift lever is between the front seats and you can see carbon fiber firewalls in the foot wells and under the dash, plus giant speakers with chrome surrounds. It’s all pretty spectacular and much more visually interesting if you leave off the roof that can be placed on top for a closed-top roadster.

Cool that you can pose the car with its matching luggage!

               If you’re into serious rubber, the Pirelli P Zero Corsa tires are so-labeled and as wide as a hot dog eating champs’ butt. Nice tread pattern too.

Front wheels are steerable, with the steering wheel connected, so not just poseable. Wheels themselves are multi-spoked star designs in matte silver and behind those are monster drilled disc brakes with blue Pagani-branded calipers, the rears being somewhat different from the front calipers.

Details, details, details. That’s what Autoart is into big time and this Pagani epitomizes that attention. This is one of the most beautiful and fully detailed models I’ve ever reviewed. Winner!

Vital Stats: Pagani Huayra Roadster

Maker: Autoart
Scale: 1/18
Stock No.: 78286
MSRP: $330

Link: Autoartmodels.com

Auto World’s Johnny Lightning, themed 2-packs

Bright Yenko Chevy, Psychedelic Seventies cars double the fun …

What’s more fun than one special limited edition Johnny Lightning 1:64 die-cast car? Two of course.

Two of Auto World’s latest JL 2-pack releases.

Auto World is now packaging two limited edition cars into Themed 2 Packs for its finely detailed Johnny Lightning brand. The latest offerings include Yenko Chevys and a colorful Psychedelic Seventies pack with a Dodge and Chevy decked out in patterns to remind us of the “Rowan & Martin’s Laugh-In” era of flower power and wild color patterns you might see when dropping a little, uh, well, I’m not sure what. But these are colorful to be sure.

Both 2-packs go for $15.99 each, still a bargain price for such nicely detailed 1:64 cars. Plus they are not being pumped out by the millions like some mass market brands. These 2-packs are limited to 2,004 each.

The Nova is the star of this duo!

Let’s start with the sharp, but more normal Yenko Chevy 2-pack. It includes a bright yellow 1970 Chevy Nova Yenko Deuce with black side stripes that wrap over the trunk lid and tout Yenko Duece on the rear quarter panels. The other car is a black over silvery blue 1967 Chevy Camaro Yenko with a black nose stripe.

The Psychedelic Seventies pack includes a 1969 Chevy Camaro SS in a wild Sunflower Yellow, orange and black pattern that sort of resembles a sunrise on the hood and a tattoo artist’s geometric stenciling on the trunk and sides. The roof is flat black. The other car is a 1969 Dodge Charger Daytona mostly in dark metallic red, but with white hood inset trim and side striping, plus big white rear wing. From the doors back is a white-bordered insert that blends from the body color red to brown to yellow to bright yellow.

Both of these babies are bright stars!

For the record all the JLs have opening hoods, detailed undercarriages, and treaded rubber tires to look more realistic than most brands, which feature hard-plastic tires. These are mostly for collectors, not kids with plastic race tracks!

The Models

               I’m always happiest with the less customized paint schemes, so my favorite here is the yellow Yenko Nova and silver-blue Camaro Yenko.

What a sharp profile, and Super Bee colors no less!

               What makes these fun, and realistic? The Nova is modeled after one of 10 Duece’s made in this color and is owned by Jamie Jarvis. Many JL models are reproductions of actual cars that have shown up on the various car show circuits over the last couple years. It has the easiest opening hood of any of these four models, so it can be raised fully to display the red engine block, silver air filter and black coolant hoses.

Easy to see the engine on this one!

               The Nova’s hood has two black stripes near the hood’s edges, with “LT/1” part of the stripes. “Deuce” is spelled out on the hood’s nose and the Nova name and the car’s reflective side markers spruce up the sides along with the obvious racing stripe mentioned earlier. Bumpers and grille are nicely detailed as are the lights and taillights. The interior is black, but not much to see inside, it being so dark.

Sexy stripes on this Yenko Nova!

               What really grabbed me on this one was the finely detailed 5-spoke matte gray racing wheels wrapped in Firestone Wide Oval-labeled tires. Sharp!

               The black over silvery blue ’67 Camaro’s hood is easily popped up, but doesn’t open far, so engine viewing is marginal. There’s a more noticeable gap at the rear of the hood too, which likely accounts for the small hood movement.

Still, its nose stripe is sharp and in profile this is one sexy beast with elegant thin pinstripes near the top of the car’s fender line, nose to tail. The hood is a Yenko specialty based on the SS design with raised bars to resemble headers and four black dots atop each of them.

               There’s a spoiler on the tail an SS logo on the grille and a “427” sticker on the tail. Hub caps are chrome with five rounded rectangular holes and unbranded thin white sidewall tires. The interior is dark red and the door features a framed vent window.

               If you’re a big Goldie Hawn or Jo Anne Worley fan you might imagine the Psychedelic Seventies 2-pack’s Camaro paint scheme painted on their legs or bellies as they dance during “Laugh-In”.

Wow, now this is a paint scheme to remember!

               This is an eye-opener and beautifully executed, and modeled after the original that was owned by Mike Hulick who had the silver car repainted in this wild scheme. The Camaro, now owned by Jay Sliwa, is an SS, thus the two bar hood similar to the ’67 model in the Yenko pack. The hood opens a little higher on this one to reveal a silver engine block and black air filter.

Love the SS hood and the color combo here too.

               Headlights are whited out here, with an SS logo on the black grille and mid-tail between the triple taillights. Wheels are chrome five-spokes with Firestone Polyglas GT-labeled tires. The interior is black and the rear window features three decals/stickers, two with peace signs over an American flag pattern backdrop.

               Almost as striking is the Dodge Daytona, one of only 503 made and now known as the Disco Daytona. Remember disco, and Disco Duck?

               This Daytona has a one-off paint scheme that the owner had applied due to a warranty program offered to make up for the car’s poor original paint job, orange in this case. Disco Daytona features the disco ombre paint scheme and you won’t find another one like it. The car is owned by Jeff and Brent Kultgen now and is easy to pick out in a crowd.

               The car is logo-less, except for “Charger” printed on the rear roof pillars and a black license plate declaring “Charger.” There also are twin tailpipes exiting under its high-winged tail.

That orange engine block and air filter encourage a hood-up pose here!

The gas cap on the driver’s side rear quarter panel and reversed air scoops over the front wheels add detail and there’s a bright orange engine and air filter under the car’s massive hood. Windows are trimmed in silver and there are proper vents here too. Wheels are chromed 6-spokes with redline tires, but no branding.

Larger scale models may add more engine and interior detail, but these 1:64s are gorgeous and high-value. Plus if you can display them on their hang cards they stay dust-free and look spectacular. This my friends is easy DC car collecting at its finest, and at a price any collector can afford.

Vital Stats: Johnny Lightning Themed 2-packs

Maker: Auto World
Scale: 1/64
Stock No.: JLPK012
MSRP: $15.99 per 2-pack

Link: Autoworldstore.com